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Saturday Spotlight for May/18/2013


Daily Literature Deviations is proud to feature this special recognition article!
You can show your support by :+fav:ing this News Article. We hope this gives you some insight into the person behind the art. Please comment and :+fav: the features and congratulate the artist!


Artists will be featured in a special news article every Saturday. Major points to =SilverInkblot and =DrippingWords for doing the hard work and research that goes into these articles!  

Today's featured deviant is:
:star: *glossolalias!:star:


Questions

 

1. Tell us a bit about yourself and your writing.

I started writing as a way to purge emotions that I could no longer handle internally but did not want to discuss with other people. By the time I was sixteen, I realized most of my writing was utter crap and became interested in technique, theory, and most importantly, other writers. I also learned the value of editing, which I apply to my prose more often than my poetry, though I do put more thought into my poetry than I used to. Let's just say I'm no longer a fan of nonsensical emotionally overwrought word vomit.

2. How do you feel about dA as a literature community?

Of any website I have posted my writing on, dA is the friendliest. Almost all of the community members I have met are willing to not only talk about their writing but their ideas behind it. There is so much talent to read daily, and if one actively participates--commenting on others' work, offering critique, etcetera--it's easy to become involved.

3. What is your writing process like?

For my poetry, I usually start with an idea and let the words build themselves. I then edit the work until I'm satisfied with it, which is almost never. I tend to return to my poetry very often. My favorite is revising poems I wrote months ago, because I always have a new perspective on what I've written.

For my prose, I have more of a systematic method. I outline the plot, decide on themes and symbolism, and then flesh out the story from there. I also spend much more time editing it in the early stages, thought I'm less likely to return to the idea later.

Both of these processes involve lots of caffeine, but a few people have noted I'm a rather "prolific" writer. I have a lot of energy for what I do, and if I have even an inkling of an idea, I will try to write it. You never know if it's going to work until you try, and sometimes, if you start something, the rest of it will come to you either while you're writing or after you look back at your work later.

4. Are there any authors that have influenced your work?

So many, haha. Right now, I've been reading more contemporary fiction, including Sherman Alexie, Mark Z. Danielewski, Yann Martel, and Alicia Erian. I tend to read more prose than poetry, and I'm very drawn to realistic situations and spiritual contemplations. The ideas of human nature and frailty fascinate and that reflects in my writing and inspirations.

To be honest, I draw most of my inspiration from my life and the lives of others.

5. What advice would you give to a beginning writer?

Write often, edit often, and take the advice of writers you respect but don't lose your sense of style. You don't need to be like another writer to be successful.



Poetry


Census of Ghostshe now resides in susurration:
shaken from our summer sheets,
flags drawn taut and shuddering,
and wispseeds rising into the light
with their dressing gowns unbuttoned,
planting onto my lips that name
i've tried to hang with himself;

on a late morning,
while folding your laundry,
i found him again and held his tongue
when he yearned to speak of love
that once transpired in his passion,
or maybe it was the infatuation
of surrealists: brown skin but touched
upon each other,

marking the insignificant with brands
of remembrance: like the crinkling of
tinfoil or the crisping of smokers' lungs
or the thought that cigarettes are only
romantic i

"Census of Ghosts" by *glossolalias


Sixteen Sketches of Local Personhood one.

By Method of Loci, Nick remembers the different faces
of every man he's ever slept with, placing them like mannequins
through his childhood home. In the cluttered foyer is the boy who asked him
for his virginity, but in the attic, his husband of one year by law but many more
by virtue of dedication and love reclines against the diamond-shaped window,
backlit by dusty light while smiling with his arms wide open, his legs stuck straight like
The Cross that hangs beside him, a wooden thing abuela brought back from Mexico.

two.

Tamarah cleans the gutters with her hands because the hose
won't work like it used to and the sun beats down

"Sixteen Sketches of Local Personhood" by *glossolalias


Prose



All Truthsone.

Micah Deluca came out sophomore year.

He was standing by his locker, talking to a blond with a crooked smile and one fake tooth, feigning interest to stare at his biceps. The blond's name was Dylan Arnholt, and Micah had better things to do, but he was always polite and politer to handsome boys. Perhaps that was telling enough, but there was something effeminate about Micah: his straight dark hair, the impish curve of his pink mouth, the way he held his hips, his meticulously shined Doc Martens and tight bleached jeans. Everyone suspected he was gay, but no one knew until Dylan asked pointblank, "So, are you a fag?"

"Do you mean to as

"All Truths" by *glossolalias


Petty ReasonsI. Little Accidents

I scrutinize the jeans I scrape off the laundry room floor, trying to figure out if they're black or indigo; last week, Logan invited me to a party and said Willow would be there. While we still shared an English class, Willow said she liked to see me in black jeans and green shirts, but the only green shirt I own is dirty. I settle for blue and hope it’s close enough, checking the date on the calendar for the sixth time: Friday, July 18th.

Before I leave, I make sure I say bye to Jackson. He’s on the phone with a customer and waves his hand to shush me. A minute later, he covers the receiver with his hand an

"Petty Reasons" by *glossolalias




For more information, including how to suggest a Deviation to be featured, please visit us at =DailyLitDeviations.

Thanks so much for supporting the lit community and this special feature project!

~ The =DailyLitDeviations Team ~


Prepared by:  =DrippingWords






Saturday Spotlight: Volume 025

Sat May 18, 2013, 4:59 AM
An Interview with-




> Please introduce yourself, in your own words. What are your interests?
Hi. My name is Steve Jones, and I live on a small island off the south coast of England. I love sport, music, and sunshine. I also like the feeling you get when life throws you a sense of realisation and creative emotion. I enjoy living by the sea.


> Where did you begin with artistic endeavours? How did you come across Abstraction or Surrealism?
I stumbled upon collage art a few years ago, having previously had no practical art experience, other than the occasional bout of creative writing through prose and poetry. I don't really consider my work to be in any artistic bracket, other than being a type of collage that other people are free to categorise.


> How would you explain the concept of Abstraction or Surrealism to someone with no experience with the genre?
I would not be able to describe the differences between, or the concepts of, Surrealism and Abstractionism other than they have a different 'label' but they are both valid examples of fine art styles drawn from creative states.


> What inspires you to use Abstraction or Surrealism in your work?
I am fuelled by emotion and the every-day workings of Being. these are both my tools and my inspiration.


> What do you want to express with your artwork? What is the idea you're trying to put across?
I try to put across a sense of 'mood' and 'feeling' in my collages; there is never really any explicit message that I am trying to translate to an observer through my work, just the hint of a feeling or an emotion.


> What are your 'tools of the trade'? How do you create your art?
Tools for me are the every-day interactions between people. I love the sense of community and I try to use that to fuel my creativity. It's a little bit like you are recycling what you see and find around you, and re-presenting it to your surroundings in a new form.


> Do you think the quality of a piece depends more upon technical perfection, or the message contained therein?
The quality of any art is in its ability to impact upon the observer... there are no other factors that come into consideration, for me.


> Who are your favourite visual artists, and why?
I like Rene Magritte, mainly for the way he creates light in his works.


> Which dA Groups would you recommend to someone looking to get involved with abstract and surreal art?
I would recommend groups that best suit your own style: there are thousands to choose from; have a look, there is really a group for every style of art here on deviantART.


> What advice would you give to an absolute beginner in the genre?
Follow you instincts! That's the best advice I can give to someone just starting out.


> Any final words on abstract and surreal art?
Keep it surreal, and keep it abstract.


> In conclusion, pick nine works from your Favourites that you particularly enjoy.



All Snapped Up .10 ~ Bloddroppe

Sun May 19, 2013, 3:30 AM
~ An interview of a talented artist in our General Photography Community


Tell us a bit about yourself, *Bloddroppe! How did you get into photography and why?

I've been interested in art since young age. I used to draw a lot during high school, especially realistic portraits. But after a time I felt that I wanted to experiment with other medias. I photographed a lot of nature with a point and shoot camera at first but I felt that I would like to try working with models instead. So I asked my best friend to model for me in a great field of flowers. I think it was my first shoot with a model so it was very fun and since that shoot I've wanted to continue with photography.

Why are you on deviantART?

I think I discovered deviantART through the site Gaiaonline. I used to post my photography there and was recommended to look up the site. I immediately started to upload my work and recieved great response. Nowadays I feel that I have good connection with my long followers on deviantART and I would like to keep in touch with them. But also because I really love to share my art there as I recieve such amount of appreciation. I also like to give feedback to others and of course to get inspired! I love looking through my favourite artists there and want to keep updated with their newest work.

What type of people and portraits photography do you most like to do and why?

I like fashion photography the most, also beauty. I like the concepts and how the clothes are presented. I can't exactly tell why, but it's just something I get inspired by and enjoy watching.

How did you first come across fashion photography? What were the inklings that made you think that you would want to do some yourself?

I actually think it was when I discovered deviantart that I became more inspired by fashion photography. Seeing so many talented artists here made me want to try it myself.

My interest for fashion has grown since then and I love following and be updated with the latest fashion photograhy and models. I also think that I wanted to be more commercial than when I first started. I was merely shooting for myself back then, even if I do shoot for myself today too, but it is on another level.

Why people and portraits and not a different kind of photography?

I like to shoot with people because I like to create a story around them in my photography.I've been trying to shoot products but I just can't find it as fun as shooting with someone who you can talk to, exchange ideas and to be inspired by.

I would love to be good with documentary, but it feels I need to plan my shoot from scratch for me to enjoy it properly. I wouldn't say I hate it, but I do definitely feel more comfortable shooting other types of photography.


How do you come up with ideas for your photoshoots, models, etc.?

It is a collaboration between me and the model(s). Sometimes I have a certain idea I want to shoot and we plan around it together. Other times the model has an idea with clothes and make up and we plan from that with location and the feeling. I am inspired a lot by nature, music and movies, but also by dreams and tales.

Where do you find your models or other members of your photoshooting team?

It depends. Sometimes the models find my work and other times I find them. I usually look on various sites made for creative teams. It is nice to get in touch with someone who are talented but hasn't had a breakthrough yet because they are very humble and open-minded about ideas and work. I do have my favourite models that I shoot with from time to time just because we find it fun and inspiring!

What is the best and worst thing about working with models?

The best thing about working with models is that you get inspired by each other. I love when she/he suggests poses and expressions, to try something new! I love to work with models who knows how to pose and is not afraid to look 'less pretty' when posing for a certain emotion. I don't really like working with models who only think that it takes beauty to model and who are afraid that they should look 'ugly' when trying new things . But fortunately all of the models I have been working with are such lovely people that I feel very lucky to have got the chance to work with them.

What are some hiccups you've experienced with your photoshoots, if any?

It would mostly be the weather. In the morning it is sunny, but when it is time for the shoot it could start raining or even snowing. We've had to postpone a shoot many times because of the weather. Other than that I have not had much troubles with models. But the technique though can really be tricky, especially when it doesn't work. Flashes that don't go off and a camera that is rather moody, I could live without that if I could!

Do you struggle with photography overall?

I do get frustrated sometimes when i want something really specific and it doesn't turn out the way i want it but when that happens i usually just leave it alone for the time being and try something else until i can figure out what could help me make that shot happen.

How long does it take you to set things up for a shot or a photoshoot, and then from shooting to uploading on dA? Could you describe to us your process here in more detail?

It could take a few days to some weeks - depending on the idea of the shoot. Sometimes things must be produced before, like the latex outfits that are made for the shoots. And it can be tricky to book a day where everyone in the team are available and to combine it with good weather. But after a day with shooting I must retouch at least one image from the shoot before I can relax, otherwise my fingers will itch until I can try out colouring and skin retouch on the images. I usually don't finish a series the same day because it takes time to retouch, but I select my favourites and start on it the next day. I like to finish the whole series before I upload it somewhere, also before I do that I want to send it to the team so they can look on them. I want to finish them at least within some weeks but sometimes it takes a month or two depending on how many other series and work I have to complete before.


Do you use a specific technique when shooting? What setting on your camera do you most like to use?

I work with natural light when I shoot outdoors, and if possible indoors too. So I guess working with a reflector to bounce the light is the most common technique in my work. I only work with the manual settings where I change the aperture and shutter from what is needed during the shoot. Most of my style happens in the retouch.

What do you mostly focus on when it comes to your photography?

I focus a lot on the retouch because my style is about the colours and the dreamy feeling I like to enhance. During shoots I like to work with the light so it is flattering and to keep the RAW file as good as possible so I have good material to work with after the shoot. But mostly the retouch, definitely. I spend a lot of hours to get the touch on my images that I want.

Do you like to post-process a lot?

Yes, I do. I don't see any problem with a lot of retouch, as long as it is done properly. I involve a lot of retouch to work with colours, feeling and skin. I don't change the model's appearance more then enhancing hers/his own features though. I am kind of a perfectionist when it comes to the retouch which can be really frustrating sometimes. I rarely let anyone help me, only my partner has retouched a series of mine, other than that I retouch everything, if possible, on my own.

What program do you use to retouch? How did you learn to do it?

I start off to retouch the basics in camera raw (bridge) and then retouch the image in Photoshop CS5. My brother used to work a lot in Photoshop during his education many years ago and whilst being a role model for me I wanted to try out to design and retouch too. I experimented a lot and worked on a technique that back then worked for me, however I would never go back to it now, haha! When I became more interested and involved within the industry I learnt a lot by searching on the internet for tutorials, experimenting and also by friends and partner who went to the same education as I did.

What is your favourite piece and why?

I do have a several personal favourites which makes it hard to just choose one but I think I will have to pick the one I took of model Tea Time (Insanitea) in a "Alice in Wonderland"-themed photoshoot. It was a really fun shoot with a lot of props that Tea came up with. It is one of my favourites because it turned out better than what I had imagined in my head. The cards, Tea, the colours and the light. To me it feels like a scene from our own version of Alice in Wonderland.



What is your equipment list? What made you choose your equipment there?

When I first started off I used a point and shoot camera by Canon. I was looking around on deviantART and looked up what artists I followed were using and bought myself a Canon 350D. I knew it wasn't the equipment that made you a good
photographer, but I did not know much about the technical capacity. I then continued on working with Canon such as the 5D and now I have the Canon 5D Mark II with 85 mm f/1.8 mm and 50 mm f/1.4 and a lensbaby composer. I only have prime lenses since I like the sharpness they give, but I would love to get my hands on a 24-70 mm.

Are you doing any projects at the moment, photography wise or not? Offline and online?

Not any particular projects more than planning new photoshoots. Other than that am waiting on summer so I can be inspired more to actually start projects.

What advice would you give to aspiring photographers?

Experiment a lot with light, scenery and style until you find something you like. Be yourself and stick to your style when you've found it. There are so many photographers out there so you need to have a signature touch to your images so people recognise your work. Believe in yourself and don't give up! :)

Finally, is there anything else you would like to add?

Thank you for doing this interview with me! :)



Thank you *Bloddroppe!


^3wyl, posting on behalf of #CRPhotography

What is this Awesome Achievement?
The Deviousness Award is an accolade which is traditionally handed out
on the 1st of every month to one truly outstanding deviant.

The Deviousness Award for May 2013 goes to `anmari.




Hello! I'm Ana! I'm 23 years old and I was born in the Republic of Moldova, which, at the time, was a place in the USSR. Besides my Romanian roots, part of my great-grandparents were Polish and Ukrainian, so you could say that I'm a product of a Eastern-European melting pot! :slow:
Nowadays I live and study in France. :B

I joined deviantART in summer 2006. I was 16 and curious about everything, so I quickly discovered the Chats and I got addicted to dA ever since! In March 2008 I was invited to join the Official Helpers team of the #help chatroom, in July of the same year $fourteenthstar made me a Senior member, and, more recently, I've been a Community Volunteer for Chats & Forums, then later for Architecture Photography as well, since March 2012 until the 25th of April this year.

During this period of time, I got to meet many talented people and friends, who inspired me to start taking photographs, and now I might even make it part of my professional career! I hope to enroll a cinematography course after I finish my Bachelor's degree in Architecture at the end of this semester! :paranoid:



Hello Ana! How does it feel to receive the Deviousness Award? And do you think this will change something for your DA experience from now on?

Well, I honestly didn't expect the award, especially not at this point in time. I see people around me who do so much for the community, so I thought I'd be the last to be considered!

There's a funny story behind this May 2013 Deviousness Award as well. I was in the #Europe chatroom on April 30th when *twicehalf and =Phalanx-Designs were guessing who'd get the award the next day, and, ultimately, they made a joke about starting a #anmarifordeviousness campaign. I laughed at it, it sounded all so silly to me. And then I woke up on May 1st to "Aww hell no, you did NOT just get Deviousness, gurl! *snaps fingers*" that *twicehalf posted on my Facebook Wall! It was so surreal, I started to smile and laugh like an insane person! :slow:

I think this Award will change my dA experience, like any other form of recognition I was lucky to receive in the past. deviantART has this wicked way to surprise and encourage me every time I feel like there's nothing else I could possibly bring to the community! :heart:
The award brought a lot of new audience to my profile page, so I will try to keep sharing useful tools and beautiful features with my watchers.



You were a CV not so long ago, what can you tell us about your experience as a volunteer?

Being a volunteer was a rewarding experience that came with a lot of responsibility as well. For me personally, it was difficult to get over a mistake or two that I would eventually make (we're human after all!). I always kept in mind that I'm representing deviantART to some extent, it was my duty to keep a good image of the team.

Other than that, I loved turning the spotlights over many artists via Daily Deviations, sharing some useful tips for Architecture Photography during the #projecteducate week we held last summer, and generally being helpful to deviants on the Chats and Forums!

If given the opportunity, I'd love to do it again, but I'll have to make sure I have enough time to do even more!


You've been a member of DA for 6 (going on 7) years. What, in your opinion, has changed in the community since you joined compared to this day? Do you consider the site has gone better, worst or just different?

Well, of course deviantART has become different. People and things constantly evolve, and I've evolved along with deviantART as well. I consider that meeting deviants has become a lot easier with the introduction of the +Groups. I've attended and helped organise numerous devMEETs as part of the #europeans moderators team, but also visited our neighbors in #britain! I loved to see how deviantART has become to me a real-life experience. :dummy:

I love to travel and I've been even more so driven to travel because of the deviant friends I wanted to meet. I also ended up hosting a deviant friend each summer and show them Paris. It's always so much fun! :love:





:icontwicehalf:
"I'm not a bit surprised that Ana has received Deviousness - that always seemed to be inevitable - but I am surprised that she hasn't received it earlier! She deserves it. She is an artist and an individual of the highest integrity; creative, interesting, intelligent, and sassy! You will notice all of these elements in her photography; and you will notice them in her personality if you talk with her for five minutes. Deviousness could not have been awarded to a more well-rounded person."





:iconbeccalicious:
"Anmari is a lovely person and a huge ball of enthusiasm, which is what makes her so deserving of deviousness! I had the pleasure to meet her at a devmeet a few years ago, and what you see online is what you get offline too!"





:iconkovowolf:
"`anmari is always a great joy to be around! She's a great source of inspiration and is always positive! Her beautiful artwork reflects her beautiful personality and self! "





:iconnamenotrequired:
"`anmari is lovely and passionate on the site as well as on the many devmeets she goes to and is a great example to many deviants :)"





:iconwreckling:
"Ana is an enthusiastic individual that brings cheer, happiness, and a near-infinite amount of energy to any project she takes on. She's always pleasant and honest with people, and takes time not only to learn things for herself, but also to share what she's learned with others, without expecting anything in return. She's a fine example of a positive force, both here on dA and in the world at large."


Talking about your preferred art, what do you find so fascinating about Photography, specially Architecture and Street? ... and what's with your obsession with the Dutch?

Photography allows me to witness moments in other people's lives and universes. I find photography to be a sort of a time and space travel machine that enables you to be part of a certain moment in a certain place close or far away from you.
Architecture and Street photography especially intrigued me because I love to travel and architecture is what distinguishes countries and cities around the world, it's the image that people choose to give to their place of living. Just like nature has created rocks and rivers and forests and all sorts of landscapes, people have risen buildings and shaped the place to their liking and use. This is what I find so interesting about it.



And Dutch... well, I've met many Dutch friends on deviantART, that I visited on many occasions. And it was the second western-european "culture" or "way of being" I had the pleasure to encounter after I moved to France at the age of 17. I had difficulties feeling like I belong with my peers in high-school/University and my Dutch friends made me feel like home every time I went to visit them. This is why I grew to love The Netherlands and I try to learn Dutch and surprise my friends with my ridiculous accent. I love to make them laugh. :giggle:
Also mills. I love mills for no apparent reason. I'm weird. :B

And guys. Dutch guys can be hot. But sshhh!


If you were a milkshake, which would be your ingredients?

Hmmm... If I were to choose my favourite ingredients that would be peach, mango, caramel, vanilla. But they also call me Ananas and Ana-Banana, so I guess pineapple and banana are a must as well! :B

Interview 'Journal/Gallery CSS'

Sun May 19, 2013, 3:11 AM


As part of our 5th birthday i have interviewed three persons that are familiar with journal and gallery skins and that also offer them for free use. Please say hello to =SimplySilent, `miontre and =nikkittie!





Most important thing first: tell us a bit about yourself and what you are doing here at dA, especially for those who might not know you yet.


:iconsimplysilent:
Hi there! :dummy: I'm =SimplySilent, and I've been on dA for about a year and a half now. I do a lot of digital art, including digital painting, photomanipulation, and pixel art, but during the last few months, I've been teaching myself CSS and making journal and gallery skins for dA.

I'm also part of several groups including #Rising-Artists, #DazzlingDecorations, #feel-art, #projecteducate, and #CSS-Babes


:iconmiontre:
Hello! :dummy: I'm `miontre, and I'm mainly a hobbyist photographer but I also love web design. On deviantART, I'm most active around #projecteducate, #CRCommunityProjects, and #FeedbackFrenzy. I really like creating journal skins for deviantART because it gives me a chance to test my web design skills and learn new things. I don't really have any reason to create actual web designs at the moment, nor do I have a place to show them off live online. deviantART gives me purpose to create a design, as well as a place to host it and show it to others, and even let them use it. I don't have a massive collection of free skins in my gallery, but it is growing! :P I do have a headache-inducing list of private skins though, all of which I've created for various purposes.


:iconnikkittie:
Hi, I'm Nikki, and on dA I make emoticons, stamps and Journal Skins :dummy:



Adding CSS to journals and galleries is available for a while already, have you been into coding right away(after joining or when it was released) or did it just happen later? What made you become interested in it and what made you to keep coding?


:iconsimplysilent:
I started coding skins when I bought myself a PM about half a year ago. At that point, there were already tons of journal skins available, but I wanted to make unique ones for myself. I thought, if all these people can do it, why cant' I? :giggle: After spending some dedicated time studying and tinkering with other deviant's skins, I finally figured out how to make my own skins. It took a ton of (rather painful) trial and error, but it was definitely worth it in the end. :D


:iconmiontre:
I had been working CSS and HTML long before I joined deviantART. My father taught me how to use them when I was quite young, and it used to be what occupied most of my computer time. However, once I discovered the internet and started trying other things, I didn't spend as much time on CSS and HTML. I've gotten back into it now that I've started using it on deviantART, which is great! :dummy: One of the things I really like about coding is being able to be creative with a web page. There are a lot of tools out there that can make a web design for you, but I like being able to do my own thing and use it as an art form.


:iconnikkittie:
Actually I had been on dA for two years before even attempting to code anything (except for a sort of generic looking profile page :paranoid:), but I always admired really awesome skins and stuff and I saw the group eCSSercise was opening and thought "wow now is my chance to learn" (very cheesy, I know :giggle:) so I made a few rather basic looking skins and thought that I could really improve, so I kept coding, except for about a year's hiatus..



Is there something that you enjoy the most when coding a gallery or journal skin? And do you prefer the coding or the designing part?


:iconsimplysilent:
Hmm...I'd say I love coding image thumbs the most. I have no clue why, but I just like thumbs. :P For my recent skins, the coding goes hand in hand with the designing because I do both at the same time. Before when I did skins with more intense designing, I think I enjoyed both the coding and designing equally.


:iconmiontre:
I think what I enjoy the most is playing around with different options. Usually, I don't create an actual design concept of my skin. I almost always work from images and concepts I have in my head. I prefer to work like this because it means I can develop new ideas along the way, which I otherwise may not have thought of if I was too concentrated on replicating my design down the the exact pixel. Sometimes I will get a random idea pop into my head, or sometimes I'll look at web design inspiration and see which design elements I like, which I could combine in my skin.


:iconnikkittie:
If I'm completely honest, I rarely make a design and go through with it, which is really bad, cause I'm always told that you should have a safe concept/design before going through with the final thing, but I just sort of start with a background and improvise my way through. Which I think is why my journal skins aren't too fancy a lot of the time, because I have no idea what I want the final outcome to look like. But I do like the sort of trial and error approach I take, because I do always learn from my mistakes which I do enjoy.

I also do quite enjoy the coding part, it's just quite a relaxing thing to do in my opinion, because everything just has to fit and I love it when things fit together and work. But then sometimes things don't work and I get frustrated D:

So I don't really know what I prefer, but I do enjoy both parts, in different ways.



Do you have any helpful trick you would like to share with others and that can be a life saver sometimes? Or any other advice for those who just started?


:iconsimplysilent:

I don't know if this is really a life saver, but one thing that took me forever to figure out when I was coding journal skins is how to make the journal center itself in the middle of the page if it had a fixed width. I see this a lot with other beginner coders as well, and so here's the code for that:

.journalbox{ margin: 0px auto 0px auto;}

If you set the left and right margins to auto, the journal will center itself on the page instead of being all the way on the left. :la:

Also, when I first started learning CSS coding, I got really confused with code such as "padding: 20px 10px 30px 20px" because I'd keep forgetting that the order is clockwise from top, right, bottom, left. If it helps, use code like "padding-left: 20px" and "padding-bottom: 30px" to make it more obvious which part applies where.


:iconmiontre:
The thing I would encourage people to do the most is to make sure their skin is flexible as possible. I think it is especially good for beginners to make flexible and dynamic skins from the start, to get into that mode of thinking. A flexible skin is one which can be viewed at many different browser sizes and responds to user input. For example, if a user has a tiny screen, they should still be able to read the content without it going off the page. If their screen is uber-tiny, it may become difficult for them to read, but at least they don't have to scroll to the side. If a user has a massively wide screen, the journal should be able to display at the full width of their screen. However, a maximum width for just the journal text should be in place, because text becomes difficult to read if it gets to the level that a whole paragraph fits on one line. While a user writes text, the journal should respond to this by expanding vertically. There should be no need for someone to have to use a scrollbox - these make the reading experience a hassle for the viewer, not to mention that they can ruin your design. Journals will actually automatically expand as more text is written, it's just a matter of making your skin flexible enough that you aren't forced to use a scrollbox. Scrollboxes are usually needed when you're using images to flesh out the design of your journal. CSS can't change images to respond to user input, so you've got to think intelligently. I would suggest you split up your image into multiple parts (different images, each containing one element of your final design which you will compile using CSS instead of in Photoshop/GIMP/Muro/whatever). One important part would be just the background of your skin, whatever colour/gradient/picture that may be. If possible, try to make it a repeating background. Otherwise, there are methods for making the background stay fixed in place when they user scrolls. Another part would be any decorative images you have floating around (headers, banners, characters, other decorations). You can put these into the correct place by using positions. A third part to put all your textures into different images - for example, if you're making a pad of paper, don't get an image of a pad of paper, get an image of a paper texture and find another way to replicate the borders (without destroying the flexibility of the skin). There is a lot more you can do, I hope you understand what I'm saying here! :lol: Of course, it is not always possible to make your skin one-hundred-percent flexible, but it's worthwhile to get as close as you can.


:iconnikkittie:
Well before my old laptop died, I had a code for a basic journal skin, each part I had made notes on, just to remind myself what each part does and so I don't forget, or start coding images or colours into the wrong place, but silly me forgot to make a back-up, so I may have to recreate it at some point. But that really helped me a lot especially when I first started out.

If you have just started then the only advice I can give is to keep practicing, like with any other medium you might be using. Also don't be afraid to ask questions! I've had to do it more than a few times, people are usually pretty friendly about that sort of stuff ;)



What do you think is more difficult, working on a free skin or a custom/personal one? Why?


:iconsimplysilent:
A custom one is definitely more challenging for me. When I make a free skin, I make whatever design I want since I'm making it for the general public. When I make a custom one for a specific deviant, I have to alter my designs to match their preferences, and that can be more difficult.


:iconmiontre:
I think it's definitely more easy to work on a free skin. When I create a free skin, I am free to do whatever I want with it; whereas with a personal skin, I am limited to the area I am asked to work within. I don't have to worry about somebody else liking my work when I create a free skin: all I have to worry about is whether or not I like it, which is much easier.


:iconnikkittie:
With a custom skin, I always get scared that I'm not going to make it to a persons needs, or it's not what they were expecting, so it has to be perfect. Though it always helps when there's good communication between the client and designer, to avoid such things happening.

Though with a free skin, you're not making it for anyone in specific, but you still have to make sure you make things to fit different people's needs, trying not to have fixed sized skins too big in case of small screens, or making sure colours work well together so they don't make anyone's eyes strain too much.



If you could add any existing property to dA (additionally), what would it be?


:iconsimplysilent:
In relation to CSS, I assume? Umm, I've never actually worked with JavaScript (I do plan on learning though :eager:), but I think that would be awesome for all journal users out there! :D


:iconmiontre:
Probably transitions. Though animations would be great too. Transitions would be more useful to the general CSS community, to add a little bit extra to our skins and make them feel more modern. However, I'd love to be able to use animations because it would unlock a lot of possibilities  For example, I would be able to make slideshows within my journals. I could create fancy animated effects across the entire journal, too.


:iconnikkittie:
I don't know any other properties if I'm honest, the only CSS stuff I do is on dA D:



And if you could think of a new one? What would you invent to make coding a bit easier? Just imagine anything would be possible!


:iconsimplysilent:
This deals more with using coded journals rather than coding, but whatever. So, something epically cool occurred when dA recently switched journal writing into Sta.sh. I had been working on a journal code that involved the use of a blue content box, so the blue box only showed up when I clicked preview button for the journal. But when dA switched and I opened the journal in sta.sh, the html part disappeared, and there was a blue box right in the normal text area. Basically, it was just a much friendlier interface that made it easier to use things like columns or content boxes. However, this only happened for this particular journal because I had been writing it in the middle of the Sta.sh switch. :/

tl;dr I would love an option that would allow the html to change into real formatting as I write my journal. :eager:


:iconmiontre:
I haven't ever really though about this much, but it would be extremely useful to be able to use our good friend mathematics. I'm a perfectionist, and it'd be great to be able to use mathematical functions to make sure every pixel is in place. This would allow us to combine different measurements, such as percentages or points and pixels.


:iconnikkittie:
I don't know what i would pick, but maybe I'd make it more friendly to people who spell color as colour :paranoid: I've lost count of the amount of times I've written it with a u and not realised where I'd gone wrong..



Tell us your favorite skin from your own works! Why do you like it the most? Also is there any skin you consider your favorite one from any other deviant?


:iconsimplysilent:
This one is my newest journal and also my favorite :heart::


It's fairly simple, but I prefer minimalist designs. This one is also the first of my skins that has special formatting for literature thumbs because I was tired of being unable to make lit thumbs larger like regular thumbs in journal features.
Here are my favorites from other deviants:


:iconmiontre:
It would have to be this one, from my own gallery:


I like the elegant and simple minimalism of it. :aww: This was also the first time I put a lot of time into making it user friendly for those using Sta.sh Writer. I also thought more about fonts and the like in this one. I also think this is the cleanest skin in my gallery. :D


:iconnikkittie:
My favourite skin is the rainbow pixel one [link] :meow: I just find it really adorable, and it's simple too.

From another dA member my favourite skin is Devious Diary Journal Skin by ~lilmoonchild1 [link] :love:



Any final and wise words you want to share with the audience?


:iconsimplysilent:
Just good luck to all those out there learning CSS! :la: It can be difficult at first, but it's also really amazing to be able to code and create your own designs. :dummy:


:iconmiontre:
Give CSS a go! It's great fun and surprisingly easy to work with. Thanks for reading my interview, and thanks to `ginkgografix for conducting it! :)


:iconnikkittie:
Thank you for reading, and thank you to :ginkgografix: for interviewing me :la:



CSS Interview with `CypherVisor

Wed May 22, 2013, 5:10 AM


An interview with `CypherVisor for #eCSSited's 5th Birthday Bash.

:iconcyphervisor:

Can you tell us a little bit about yourself and what you do on deviantART?


My name is Shivadeep (better known as Sid), 5” 7, black eyes and wheatish complexion. I am an online marketing professional by my profession however I am also a graphics designer, photographer and web coder. I am a perfectionist, I like to make online friends a lot and I like helping others.

I started as a desktop wallpaper artist in deviantART and now expanded my reach to web coding/designing. Presently, I am mostly occupied on creating customization resources/tutorials for deviants and creating journal/gallery skins. I provide these resources/tutorials for free so that everyone on DA can customize their profile to their heart’s content.



How do you think the CSS and journal/gallery skin system could improve on deviantART?


This is indeed a very good that you’ve asked me. I have couple of suggestions for the improvements in the journal/gallery system

Journal:
• Auto-complete feature while coding skins would be awesome
• Integrated search tool to search all your installed skins would be great. I personally would like to have this because I have hundreds of skins installed
• An option to choose “thumbnail preview” and “list view” (list view with hover thumb preview)
• Auto generation of thumbnail for the skins that you create
• Enabling all cool CSS3 properties/attributes for our use. We see that the skins of dA HQ blogs use CSS3 properties heavily but it is never allowed to the normal premium users. (which I personally feel bad about)

Gallery:
• Allowance to code the CSS of our gallery featured folder
• The right margin of the gallery folder ruins the overall look of the skin and it should be removed
• Google fonts are not allowed in the present gallery system as it is allowed in journal skins
• A preview feature should be introduced while coding a skin as it is very difficult to change and save the skin each time you want to check the result
How important is design when it comes to Journal and Gallery Skins?
Design is very important to me because it is the design which determines the look as well as the features/functionality of a skin. Also, since DA has lot of restrictions on the use of CSS for journal/gallery skins it is utmost necessary to have your designs practical enough to be actually coded.


  



Can you tell us about your group #CustomizeYourProfile and its purpose?


#CustomizeYourProfile was first founded by =MythicalMagic  and later on she decided to hand it over to me (which was a surprise for me because it was without notice lol). The goal of the group is pretty simple – getting all profile customization resources at one place both for Premium members and Non-Premium members. It is a place to submit and get access to a database of resources and tutorials to decorate your profile page.


What is the most rewarding thing about helping people customize their profiles?


Their love, support and appreciation! :)


  



Do you have anything you'd like to promote?


Only two things are coming my mind at the moment:
1) I do custom journal skin/gallery skin/profile customization commissions so if anybody is interested can always get in touch with me
2) I am going to host a contest soon with premium prizes for the grab so stay tuned!



Welcome to the 16th article focusing on featuring and getting to know the deviants behind the work! This series will be posted every Wednesday. If you have a deviant you'd like to see included, please send =TwilightPoetess a note with the subject "Call to Conversation"--make sure to include the deviant's name as well as a reason you think they'd make a good interview subject! Also, feel free to send along a question or two you'd like to have answered by them!

This week's featured deviant is ~Captain-Random!

Cody Brown lives with one foot in Maine and one in Brigard. Some people do not approve of this, but he does not much care. When not writing, Cody is working on world-building. When not world-building, he can be found floor directing at the local television station. The Clocksmith is Cody’s debut novel.

-----

The group you admin for--tell us a little about it?

:icontheflozzlewattree: is a group started by the lovely :icondevibrigard: as a place to share her Flozzles--a species of shape shifting animals. Anyone can adopt a Flozzle (most of which are presently designed by me), and then that Flozzle is theirs to do whatever they want with. The group is somewhat small, of course, but those of us involved enjoy the experience nonetheless.

Mountain Flozzle High among the imposing, snow-covered mountains of the north, there is a relatively young Flozzle.  This Flozzle, having the legs of a mountain goat, can leap effortlessly among the ledges, where few other animals would dare go.  Its shaggy fur, bearing the markings of an anteater, keeps it warm in the bitter cold.  Its tail is that of an anteater and its head and antlers are a bull moose's.  Being young for a Flozzle, it is not the wisest of its kind, but is full of the energy of youth.   Clockwork Flozzle The Clockwork Flozzle is a wondrous creature.  It is very small, with the body and tail of a squirrel and the head of a gecko.  It has fused with clockwork, giving it its name.  Its mechanical legs allow it to move at great speeds, making it nearly impossible to catch.  However, this fusion comes at a price.  The legs, since they are steam-powered, draw great amounts of water from the Flozzle's body.  Because of this, it must drink an equal amount to stay hydrated.  It is rumored that the inventor who created this Flozzle also created other Clockwork Flozzles.

You just recently published your book, The Clocksmith--do you have any advice for other writers beginning to look into publishing?

As some people may already know, I underwent quite the struggle against the publishing industry in an effort to get my book in print. But after two years of rejection letters, I came to the conclusion that my novel was too different from what was currently popular and decided to strike off on my own and prove the agents and publishers wrong.

While self-publishing is a viable option, it is definitely a challenge. If you go into it without a solid marketing plan, it will not end well. All hopeful authors should at the very least try to get an agent and traditional publisher. If, after about attempts, your book still hasn't been accepted, take a hard look at it and give it an extensive rewrite. Then, ship it out to ten new agents. When none of them accept the book, then it is time to consider self-publishing. If you do go for that route, I highly recommend drawing up a plan well ahead of publication. Marketing is certainly difficult, but by no means impossible. Some self-publishing companies offer assistance with such things, but I find their services too expensive when I can mostly do them myself.

Regardless of your choice of publishing style, however, it is absolutely necessary to never let go of the passion that inspired the story. If the characters and plot keep you awake at night, then there is no reason they can’t have the same effect on readers. But as the author, it is up to you to share your enthusiasm with your audience.

The Clocksmith Chapter One The sun was not yet up, though the sky had turned the colorless hue that heralds sunrise.  The tops of trees still budding could be seen as stark shadows against the sky, a testament to the light that would soon return to the world.  From somewhere in the predawn fog, the forlorn sound of a train echoed into the dark station.  Gradually, the rhythmic chugging of the engine's wheels became more audible, and the large iron beast came into view.  The train came to rest in the station, steam blowing out of its smokestack.

"Pine Harbor!" the conductor shouted drearily, half-expecting no one to get off.
  The Clocksmith Chapter TwoChapter Two

The next day, Peter walked back into town, a small package bundled under his arm.  "Good day, Mr. Barrow," John Frost, the postman said as Peter passed him.
"Good day, John."
"Did you hear the news?"
"No.  Did something happen?"
"Someone, more like it."  John glanced over his shoulder nervously.  "A pair of animists moved in three days ago.  Can you believe the nerve of them?  I don't know how many death threats they've received already."
"Great.  More uncultured barbarians.  As if we didn't already have enough enginemen in this town, now we have to deal with animists?"  Animists were a sect of zealots who practiced th


If you're interested in reading this book, you can find it here: The Clocksmith
You can also visit The Clocksmith's Website

What about for writers just starting out on dA?

As with many thing, it is paramount that you have fun. Nowadays, I do use my account as a way to spread the word about The Clocksmith, but I certainly didn't start with that in mind.

Some might say you should join a group right away, but I don’t necessary agree with that notion. More important than finding a group, I think, is finding a handful of friends who will reliably read your work and share their thoughts with you. And if those friends happen to make top-rate critics, that’s two birds with one stone and what-have-you.

How many groups are you currently an active member of? (Active meaning posting at least once a week, favoriting other pieces from the group gallery, commenting, etc.)

By those standards, I’m not an active member of any groups. I am a member of a few and I will periodically show up to favorite a piece or submit my latest poem or story, but other than that, my community involvement is woefully limited.

What sort of group do you look for, when looking for places to post your writing?

To be completely honest, I have rarely looked for a group to join. I have my work in a handful of different places, but each of those groups approached me. I am a bit of a loner, so I will often forget that groups are even a thing I can participate in. Fortunately, I have people to remind of their existence.

You write a lot of prose! Do you prefer it over poetry? If so, why?

I would say I like poetry just as much as prose. I tend to lean more toward short stories and novels because I have so many stories I need to tell, and that is the form I find works best. I have lately been trying my hand at some narrative poems, though, and I am finding those to be quite enjoyable. Also, poetry offers a great way to stay in practice between novels.

The Journal of Lucian GoldstoneNovember Sixteenth, 1883 Anno Domini

Today dawned brilliant, as Mr. Bryant assured us it would.  The sky was of the most remarkable shade of orange (Mr. Bryant has also assured me that this is an omen of good fortune).  I, along with the rest of the party, departed the Queen City at promptly 5 o' clock in the morning.  We have chartered a northerly course, and have been assured we will not return empty-handed.  It came to my attention some weeks earlier that one of the great beasts had taken to hunting in the forests surrounding Pushaw Lake.  The very fact that it had come so far south of Mount Katahdin was a blessing.
The endeavor we hav
  A Story For My Valentine Life, it seems, is rather fond of defying expectations.
One snowy November, a Man sat down at his computer, determined to do something he had not done for a long time.  He was a writer, despite the amount of animosity that assertion seemed to give him, and he had just finished a book.  The book was unlike anything he had ever written, and he felt it stood a good chance at becoming modestly successful.  However, he wanted feedback on it, and so he went online to deviantart.com, a popular art website a friend had introduced him to years ago, to see what sort of responses it would get him.  The Man had not touched his account since making it,


Are there any topics or images that sneak into your writing again and again? (i.e. human nature, bleeding hearts, etc.)

I have a few topics that like to sneak into my writing, especially my poetry. I often find my work featuring pastoral scenes, most prominently the changing seasons. Also, many of my pieces- both poetry and prose- revolve around humanity’s obsession with machinery and the negative impacts such reliance has on us. I have also been known to write some poems with religious overtones, but those tend to be more abstract.

What is your favorite writing tool? (metaphors/personification/characterization/etc.)

When writing poems, I love extended metaphors. I find they lend themselves to the messages I’m trying to convey without letting those messages hijack the imagery. If I am writing a novel, symbolism tends to be my go-to tool. There are a lot of symbols in The Clocksmith, and while I won’t reveal all of them, I will say that I use crows extensively. But not in a way you might expect.

What's your favorite kind of dessert?

I just recently tried a squash and walnut pie which was quite delicious. However, my favorite dessert of all would have to be an ice cream sundae. So much can be done with a sundae, what with all the toppings and ice cream flavors.

When you're looking for new art to read or admire, what sort of things do you look for?

For me, it is important that a book have interesting characters. They don’t have to be heroic or even likable  But as long as they are realistically written, I am happy. Also, it helps if the book takes place in a fully-realized world. I read mostly fantasy, so the setting is especially important. And being an obsessive world-builder, I can appreciate the small details that go in.

Walk us through your writing process? Any weird or unusual habits you have? (i.e. do you have to write without socks on, or with a specific kind of pen?)

My poetry writing is fairly unexciting, so I will focus on crafting a novel. The idea can come a variety of ways, but is usually a sort of lightning-bolt-from-the-blue moment, if you know what I mean. For The Clocksmith, I was thinking about how I like clocks, when I started wondering what a book about magic clocks would be like. Then, before I knew it, the characters had already stepped forward and a plot was beginning to spin itself into shape. For another book I wrote last November, the story formed itself around the idea of a character. Still other times, I will think something as mundane as, “I like getting letters,” and that will become a book about a courier tasked with finding a soldier to deliver a package to. With the core in mind, I will gradually wrap additional layers to it, until it starts to take on some substance. This step can last anywhere from a week to half a year.

Once the story has a basic framework, I will write rather spasmodically. Some days I will write two words, and then the next morning will add another thousand before breakfast. Lately, I have been keeping two books going at once, so that when I hit a wall on one, I can switch to the other and not waste any productivity. That was a tip by an author more important than myself, though I am embarrassed to say I cannot remember which author it was.

Strangest of all is my brainstorming technique. I keep a wooden yo-yo on my desk, and when I need to come up with something new for the story, I will pace the house while… yo-ing. This could happen when the story is still in its planning stages, or it could happen mid-word. But whenever I am stuck, the simple, subconscious act helps ground my thoughts.

You also do some artwork, I see--do writing and the visual world go hand-in-hand, do you think?

Writing and visual artwork can certainly go together beautifully. However, I can’t say my visual art occupies the same world as my written work. When not writing, I primarily work on pixel art. This then finds its way into various game projects I sometimes work on. Though I sometimes think about representing my novels in such a manner, I have never actually gotten around to doing so, and therefore the two remain separate.

 

How do you handle those moments when, out on the town/working, a story or poem idea suddenly strikes?

This happens to me a great deal, actually. If I am out on the town, I have a handy notebook and pencil in my car for use in such emergencies.  While at work, however, I do not have access to my notebook, so I have to make due with what I can find. I have written entire poems on the backs of leftover scripts before.

If you had to stare at the same three pieces of art--from other people on dA--for the rest of your life, which three would they be? (link us to them?)

Oh, goodness, this may be the hardest question of all. There are so many wonderful pictures I have discovered over the years, choosing just three is nearly impossible. But I have narrowed it down, I think.

[link]
This one is great for so many reasons. The attire, the atmosphere, the angelic connotations, the vague melancholy, the pocket watch… this picture has a bit of everything!

[link]
If I had a quarter of this artist’s talent, I would have to consider taking up pixel art professionally. I almost couldn't believe what I was seeing when I first found it.

[link]
This one might be cheating, since the drawing is of one of my characters and was done for me. But I couldn't help but mention it here. The artist captured Peter’s countenance wonderfully.

[link]
I will make up for my indirect self-promotion by including this wonderful map. Just one look tells me there are countless stories waiting to happen here. But of course, as with all good maps, one look isn't nearly enough to appreciate all the details.

-----

Thank you, ~Captain-Random, for taking the time to talk with us!  I really appreciate it!

For our readers: Do you have any weird or unusual writing processes or habits?

Please feel free to comment and discuss, but be respectful!  If you enjoyed this article, add it to your :+fav:s to help spread the word.
Around the web I've observed and even talked to some fairly big artists.
And if there's one piece of advice I can give to artists of all skill levels,
it's to-

Stay humble while being proud.


For those of you who think you have reached your best, stop right there.

Their is ALWAYS someone better in their own right.
Don't consider those who are just starting out as "the little people"
and never EVER get offended if someone who you feel is under-skilled offers you a tip.
Perhaps they know a new method or a new way to do something that you have yet to come across.
You'll never know unless you hear them out.


("But I don't have time for that!") All well and good,
if you don't have the time state so politely while still letting them know that if you had a moment,
you would converse artistically with them.

And as far as criticism goes,
I strongly suggest that you do not become so puffed up in the head as to yell at someone for criticizing your work.
Their words aren't law, so why let it sink in and get you all worked up?

As artists, we make art for one or more of these reasons:

To express ourselves,

To convey a message,

To induce a feeling,

To make a living.


When we are criticized, we are made aware that we have provoked another to speak out, and it isn't always what we would hope to hear, but that's just their opinion. And if you can learn from that criticism, than that's all the more reason to except it simply as suggestive material that pushes us forwards.

Humility is important, practice it always.

If you are making art to make a living then criticism becomes a bit more bothersome, as people tend to like to *bandwagon*. And once 2 or 3 people start disliking your work, depending on their maturity, many other people will also state the same opinion just to go with the flow. What does all their comments mean? Well aside from any comment that that you can learn something from, all the other comments have their place as normal discardable rhetoric that always is presence in the opinion of art.

For those of you who are so frequently undervaluing yourselves, the same goes opposite for you, that there is always someone worse. You may not be "the best" but that's ok as long as you are doing "your best" Don't be discouraged by bad criticism, or bad breaks. That's all apart of the road that an artist must trod upon. All success stories have their low points, and yours will to. It's surviving those low points that makes the story all the more powerful and inspiring to those who will follow in your footsteps and one day regard you as a professional.
And don't get intimidated by the current pros, they were JUST like you. It doesn't matter what school you go to, for how long, or even if you've had no formal training at all, you still CAN make it just the same if you try.


How many times this weak have you put your pencil to a piece of paper?
If it's less than once a day I bet your improvement must be looking pretty slow, or perhaps even ..non existent.
Persistence pays off, concentration pays of, and above all PRACTICE pays off.
Stay humble, knowing that what you have done others may also do just the same and perhaps even better.
Stay proud of what you can do now, and take heart knowing that there is no way that improvement will never come to you so long as you keep on trying.

Interview 'User Styles'

Sat May 18, 2013, 3:49 AM


User Styles are - even though there aren't many contributors - quite popular within dA and are mostly used to optimize a new feature to our own needs. It is pure CSS that modifies the appearance of a website just for you - no one else will see the changes you make.
To be able to use User Styles, you will need a browser extension called Stylish.

As part of our 5th birthday i have interviewed three guys that are familiar with User Styles and that also offer them for others to use. Please say hello to `electricjonny, `rotane and =trezoid!





Most important thing first: tell us a bit about yourself and what you are doing here at dA, especially for those who might not know you yet.


:iconelectricjonny:
My name is Jon Spence, and I mostly tool around with Stylish (extension to allow custom CSS on any website) various places to change how things look, or mostly just hide random crap.


:iconrotane:
Hi there! Long time deviant here (read: old fart). I discovered deviantART many years ago while searching for applications skins (for programs like Winamp), but ultimately joined because of its users' awesome drawings. I've been a pencil artist all my life, but what i saw on dA blew me away – and inspired me to push my own artistic talent. I eventually ended up working for deviantART's Creative Staff on a freelance basis for a couple years, where i mostly coded News articles and Journal skins. These days i'm still on a "soul search", i guess, when it comes to my art.


:icontrezoid:
Hi, I'm Trezoid, and I make pixels dance and perform other shenanigans in the pursuit of my evil plans making things easier to use.



How did you get into styling websites, so that they please your sense of style? Was it just curiosity or the urge to make things better? And is it more a passion or a hobby for you? Like you do it, because you love it so much or you do it, because it is fun to modify other websites and you like to see how much can be altered.


:iconelectricjonny:
And honestly, I learned CSS basically through trying to style my journal, ever since they let us CSS them =P So I have dA to thank for that. From then on out, it's been using Stylish and learning what all it can do (basically any CSS) that's made me learn what I know. And I basically just style sites when I know that I'll be returning to them, and something about the current style is just stupid ;)


:iconrotane:
Why am i writing User styles? Good question. First and foremost, because i can. But let me elaborate a bit…

I first came across website styling when `thespook started writing snippets of CSS for dA many years ago, in a time before Stylish. (Back then it was rather cumbersome to apply a style to a site: You basically had to manually add all the code to one central file in Firefox. Stylish made things a lot easier, as you can imagine.) I guess you could say it was curiosity when i picked it up myself. The possibility to change any website to your own whims was truly fascinating. And i guess i am rather whimsical when it comes to my own tastes. :P

These days i primarily modify websites that are too bright for me. I sit in front of the PC all day, and my eyes are rather sensitive, so any shade of grey is preferred over plain white.

And yes, i like doing this. A lot!


:icontrezoid:
I got into userstyles originally as an offshoot of writing stylesheets for dAmn chats through the original dAmn styler plugin. I started making a lot of little styles for things that bothered me or ideas other had, mostly that I never released, and eventually started releasing some really big styles that overhauled the entirety of dA (and a few other websites).



While working on User Styles, do you have a special routine or do you just randomly add bits here and there? Maybe you even work on exact plans/ideas before you get started?


:iconelectricjonny:
I typically just add bits and pieces here and there when something I notice stands out enough. I don't go into a Stylish with a "OK, time to totally redo this" aspect. More of a "Huh, I should probably change this one thing" sort of thing.


:iconrotane:
I usually start with adjusting the main background colour. After that, i just keep going – or not, depending on how badly i feel a site needs to be changed. But no, i have no routine. It's different of course when i want to change specific parts of a site – but i don't have a routine for that either. And since changing and applying CSS is so fast, i feel there is no need to create mockups beforehand, either.


:icontrezoid:
I usually have an idea of what I want to achieve before I start, and usually some idea of how to go about it, but then I open up firebug and stylish and start throwing CSS at the problems until they go away. If I'm doing a bigger overhaul I might change a few specific base elements like the generic selector or specific boxes.



Do you prefer to modify smaller bits or do you search for challenges and customize bigger parts more often? How do you decide where to stop and how far you want to modify elements?


:iconelectricjonny:
I'd say I do small things. Most of my mods are only hiding annoying or stupid bits, like obvious credits or ads or whatnot. So I'm not drastically changing the site, more just cleaning things up.


:iconrotane:
As i said above, i usually make sites more accessible to my own tastes. Things like darkening it; or blocking huge chunks, like the entire right column of many news sites (which i find extremely annoying). Every once in a while i go way overboard and try to alter specific parts of a site, down to the pixel-level, which takes a whole lot longer. I'm not doing this for the challenge though, or to see how far i can go, i guess i'm doing this to have something nicer to look at. So this is purely self-serving. Of course, i'm only doing that with sites that i visit a lot. My skins for IMDb and last.fm are probably the most complex i've ever written – by a huge margin. You can check these out here, if you're interested: [link]


:icontrezoid:
I usually start relatively small and break things and then work up until things stop looking horribly broken...



With User Styles you can change the complete appearance of a website. Is it for you more important that your Styles match the website or that the changes are functional even if that means it wouldn't really fit the layout.


:iconelectricjonny:
Heh, well it can't be a bright pink background on a dark site ;) But yes, most of my edits are functional over "must match the site". Make it work/look right, before worrying about the exact color and things.


:iconrotane:
I don't care if my style matches the website, i care for a better experience.

Toning down the background almost never fits to the original design of a website. But i do care for a pleasing and cohesive look, so i'm either compromising and only tone it down a little, or go "all in" and adapt the rest of the site as well. But it depends on the site and on how often i visit them.


:icontrezoid:
Most of my userstyles very deliberately completely change the look of the site, though I may use existing color schemes. I'm writing the style because I don't like how the site looks :P



Even though we have a lot of CSS coders on dA who spent much time for journal and gallery skin, there aren't many people who do User Styles. Why do you think it is like that? Too difficult?


:iconelectricjonny:
In terms of user styles, I would say it's easier, if anything. The CSS you are allowed to use is completely open to that of your browser. The only thing you have to know is the exact syntax for how to apply it to only certain sites. But with the freedom of your browser's CSS, you can do just about anything you want. So it's rather open ended.


:iconrotane:
User styles are a niche, for 2 reasons: For one, i think Stylish is still largely unknown, and also it is rather technical. Even style authors can struggle with this: A website may change overnight and break your style without warning. Sometimes these changes make your style obsolete, or you might need to modify it. Also, some sites (like dA) are pretty complex, and you're often forced to bug-test your style for quite a while before it's ready for release.  


:icontrezoid:
A lack of tutorials is something of a problem, and the fact that the scope of what you can do is huge by comparison.

That and the userstyles gallery is such a mess that most people don't even know they exist outside the rare ones that get DD's.



Keeping the question above in mind, do you style just your own ideas or do you take suggestions for future styles as well? If so, do you accept any suggestion or are you picky about what you do?


:iconelectricjonny:
I don't really do CSS for others. I just don't get asked =P But I don't have all the time in the world, so I don't even think I'd have the time even if I wanted to accept things like that. I mostly just CSS sites I visit often with Stylish, and then my own electricjonny.com site, when needed (mostly for personal use). Although I did CSS a wiki for the #h3lp group, once upon a time.


:iconrotane:
I usually go with my own ideas, but i always have an open ear for suggestions.


:icontrezoid:
I pretty much exclusively write userstyles from my own ideas, though I have taken inspiration from other userstyles in the past.



From your own User Styles, what is your personal favorite?


:iconelectricjonny:
I think my favorite, of all that I've done, is this [link] which changes the help & FAQ page to match (what was then) the latest dA theme. I pretty much went over the whole page and changed things, to get it to match. No clue if that is relevant today, but I quite like that one.


:iconrotane:
Probably this one:


:icontrezoid:
From my published ones, cleanDA is my favorite, and the only one I consistently leave on, though I have another which I never released called "really f***ing big report button" which makes me laugh when I see the name...



And do you have a fav Style from any other deviant?


:iconelectricjonny:
I don't have any particular favorites, although I'll say that the CSS done on the journals that $techgnotic writes is usually pretty fricken spectacular. Just the overall appearance, and then the hover/active effects just make them really stand out.


:iconrotane:
I have to admit, there's only one style currently active for dA that i didn't write myself… :P


:icontrezoid:
`Norke's dAmn theme is (was? I don't know if it still works) pretty fantastic.



Any final and wise words you want to share with the audience? General or related to User Styles, all is welcome!


:iconelectricjonny:
As a final word of advice, I would say, just play around. CSS is rather easy, once you get the basics down. If you don't know how to do something, most often you can, but it takes a bit of fiddling to get it where you want it.


:iconrotane:
Wise words? No, not really. But if you, dear readers, like what we're doing, spread the word!


:icontrezoid:

The first rule of userstyles club is talk all the damn time about userstyles club, because how else is it going to get any publicity...



Important Point News & Long Beach Comic Con

Journal Entry: Mon May 20, 2013, 11:08 PM


Our DArt group is in full swing and many additions our coming your way. Not just with the Teen Titans Project in general but as well with this group. We are going to be having so many more features for you to enjoy.  Things that will help, YOU get noticed! There is a future art contest on the way, that is in the works. First though, we need to gain the right about of points for such a wondrous occasion. But trust me you will not go empty handed! Check it out!

Also above is a video of the Teen Titans Project at Long Beach Comic Con. Its sure to give you a laugh!



:bulletblue: 10 :points:
All that donate this to :iconttproject: account will get a Llama! (so long as they have not already gotten one)


:bulletblue:  20 :points:

This is for members to request works from others who can find them here. For example say we wanted a picture of a Starfire made. We would post it here upon those who note this account. Don't be bothering the other admins about this. You need to donate 20 points to be featured here, plus the note. However you will have to be a member of the group and watcher of this account. We will check for both.

Wanted
This is for members to request works from others who can find them here. For example say we we wanted a picture of a Starfire made. We would post it here upon those who note this account. Don't be bothering the other admins about this. You need to donate 20 :points: to be featured here, plus the note. However you will have to be a member of the group and watcher of this account. We will check for both.



:bulletblue:  50 :points:

This will be where members can advertise themselves if they donate a certain amount. It can be if they are doing commissions, want to show off their art, ask for llamas, cakes or badges and so on. Almost anything goes. You must notify the account via note.

Advertisement
This will be where members can advertize themselves if they donate a certain amount. It can be if they are doing commissions, want to show off their art, ask for llamas, cakes or badges and so on.



:bulletblue:  100 :points:

Donate this amount to :iconttproject: and then note them with your favorite art work. It can be anything so long as it fallows all group rules. It will be permanently featured in this journal that will be updated every time we have new features. Also it will be added to our VIP favorites so long as the deviation is not hidden or deleted on your account.

V.I.P. Features
This is going to be for those who donate points to be featured.



:bulletblue:   500 :points:

You’re account and 10 top pictures that fallow the rules featured in one of our polls for everyone to see. You have to be a member of this group to be in this. Remember to donate to :iconttproject: and note them with links to the works. Once everything checks out we’ll post it up. =)


:bulletblue:  1,000 :points:

Superhero Feature! This page for someone to post up a bit about themselves. This will include there account, a paragraph or more about who they are, along with 20 to 25 of there top works that do not have to fallow all the rules in the group so long as they fallow DArt rules. They will be up here for one month. All of the works will be added to favorites in our Superhero Feature folder, which they will always be in so long as they do not hide their deviation. When posted up we welcome all of you to send them Llamas, check out their work, and leave comments on all the ones they feature.

Superhero Feature!
This is the 1000 :points: page for someone to post up a bit about themselves. This will include there account, a paragraph about who they are, along with 20 of there top works that do not have to fallow all the rules in the group so long as they fallow DArt rules. They will be up here for one month. All of the works will be added to favorites in our Superhero Feature folder, which they will always be in so long as they do not hide their deviation. When posted up we welcome all of you to send them Llamas, check out their work, and leave comments on all the ones they feature.



Do you have any other ideas to improve the group or for our future contest? Please post at the bottom and let us know. =)

Sincerely,
Karlee (Oracle)


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TITANS TOGETHER, TITANS FOREVER!


 photo 18e88310-dcd3-4461-ba5f-8f1f85b1e7fe_zpsf0586518.jpg

Rights belong to Pakaku, the person who made the Youtube CSS skin