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Cosplay Tutorials Collection

Wed May 15, 2013, 11:59 PM
Cosplay tutorials are among the most fascinating I've found in DA, full of inspiration and secrets that make you want to try them, even if you've never cosplayed before. I took a good look around and tried to put together the best collection that I could, so please feel free to browse all of these and try them! Let these artist know how awesome and generous they are for their hard work :heart:

This article was written for #ArtHistoryProject, please don't forget to visit the project and also join the nail art contest we put together.

Outfits


 

Props




Shoes




Wigs




Make up



 

Assorted techniques




There's still a lot more to see! :heart: find more here.

Ten Tips for Nature Photographers

Sat May 18, 2013, 8:00 AM
This article came about after a deviant specifically requested that we write ten clear, simple tips for Photographing Nature. Troubleshooting articles and information can be very useful, but sometimes breaking it down into manageable memorable chunks is so much easier. So without further ado please enjoy our Ten Tips for Nature Photographers!


1) Get into your environment


9 by ^Kaz-D
Yes, it's rhubarb. To be a true photographer, you must be at one with rhubarb.

When we talk about photographing Nature, we don't necessarily mean wide expansive rolling landscapes. Whilst they contain any number of elements that are nature focused and made up from natural resources - Nature Photography is about getting into your environment and getting up close and personal with these elements. So think of it like you are Photographing the components that make up that beautiful landscape, or the inhabitants of those rolling hills. With this thought in mind, you need to jump into the environment you're photographing. Whether that means wading into a lake, climbing a tree (carefully!) or crouching down in the forest floor.


2) Plan your Kit


1 (2) by ^Kaz-D
This includes clothing! If you're venturing out with the intention of photographing animals then do wear something neutral. I once had a Kingfisher land right in front of me whilst I was out with the camera. I straightened up slightly for a better angle and my bright blue top instantly gave a warning. The moment was lost! Try and pick something that will blend in nicely with the environment that you're working in. Also carefully consider your Photography kit. A Monopod is less intrusive than a tripod and takes less time to set up, position and use. So if you're able to get crisp shots with one, then take it instead of a cumbersome tripod. Also charge your batteries >< (For those sharper eyed amongst you, you'll see in the shot below, I don't take my own advice :D)


3) Tilt and Swivel!



Untitled by ^Kaz-D
I find that my latest D-SLR is fantastic for capturing low-angle shots purely because it has that ingenious feature of a tilting and swivelling LCD. Coupled with live view and you're in tilt and swivel heaven! It's something to consider if you're looking at getting a new camera and you're seriously into nature photography.


4) Experiment with Depth of Field



1square by ^Kaz-D
A shallow depth of field is often great for focusing on something large in an expansive environment. But if you're wanting to capture tall plants in a wider, longer field then consider using a deeper depth. This is perfect for singly out a few poppies in a long stretch of bobbing flowers.


5) Check your Lens



5 (12) by ^Kaz-D
Macro lens's can be fantastic for shooting up close with various nature beings, but also consider using it for those wider shots too. A wide-angle lens is great for capturing expanse, but a macro lens (especially the one I have which doubles up as a fantastic portrait lens) is very useful as well. Just be sure to check your auto-focal points within the camera so that you're not inadvertently capturing a blur.


6) Check your weather!



Dsc00266 (2) by ^Kaz-D
I mention this in almost every Photography article that I write, but in most D-SLR cameras you can set your white balance now to fit in well with the conditions. Do this! If you've got a dreary day you can set it to make the most of the conditions, if you've got an overly bright day you can ensure it doesn't give you too much over-exposure. Working with white balance will save your images, working against it...well. Let's not go there!


7) Post-Process...just a little


4 (9) Copy by ^Kaz-D
Editing your Photos isn't bad, it isn't something you should hide under your bed, or something you don't want your parents to catch you doing or even something you should do in the middle of the night because nobody will see you....Yes, you know what I'm talking about! Post-Production! Giving your shots a little boost afterwards can save them, honestly it can. In the image above, I used photoshop to enhance the greens so that they contrasted better with the blue. That's all I did, just a few minor tweaks here and there and you'll be fine!


8) Ignore Time!



Dragon by ^Kaz-D
Being patient, especially when waiting to capture that million pound shot of a wild animal that nobody has seen for a trillion years, is difficult. I know. I've been there. (Still waiting for the shot!!) But you need to have patience, and you need to not have one eye on the clock. Enjoy your surroundings and take some random shots here and there, you might be surprised when you get back and have a closer look.


9) Hood your lens!


Lens hoods are simple, cheap, effective things that will save your life. Probably not in an apocalypse. But more in times when you're beating yourself up because you didn't have a lens hood on. Honestly, they really are fantastic, they cut out a lot of sun glare and flare and when you're bored waiting for that awesome shot, you can have competitions to see who can roll theirs the furthest!


10) Don't be afraid...



There are things out there that scare us, that we don't want to get up close to, and that we'd rather just walk in the opposite direction of. Spiders, bugs, wasps, bees, ants...the list for many, can be endless. But if you've got the right lens, the patience and a bit of time then you can capture most things without having to get too close and risk your life...
11 (5) by ^Kaz-D




See the light and remember it



Lighting in photography is a living, changing art. One of the most important abilities of a photographer is to see light and to remember it. Light is the most changing element in our daily life. We move among solid objects and among people who do not change drastically during a day or a week. But visually the appearance of our environment and of people around us may change from one hour to the next due to the time of day, the weather, or the particular source of light. Photographers are aware of these changes and store in their memory the impact different types of light have on our emotions and our subconscious. For a photographer, watching the light becomes second nature. 

Some of the photographer's palette of tools:

-The angle of light
-Quality (hard or soft)
-Color
-Intensity


Angle of light


:bulletpink: front lighting:

clary by ~wendy-in-neverland shadow painting by ~wendy-in-neverland 
(The mask project) by ~jarofcherryjam 57588 by *aleksandra88

:bulletpink: side lighting:

 Noir by *Eman333 Lika by *-rainman
 shadows by *SlevinAaron What if by ~haania

:bulletpink: back lighting:

Surreal State Of Enlightenment. Sunset. by ~LevAni11 lovestruck by ~vampire-zombie
face by *MartaSyrko sister and brother) by ~StefaChaotic


Quality of light


Hard vs Soft: Light can be hard, soft or gradations in between.  
Soft lighting gained its popularity because it gives the scene a more natural look than hard lighting. But at the same time, it has a danger of lacking character. Soft light is very forgiving. Uncontrolled, it is still acceptable photographically. It's really hard for soft light to look bad, but it's not hard for hard light to look bad. If you go too soft in the lighting, it just becomes boring. The difficult thing is really to light softly, but to create a contrast at the same time. 
The hardest source of light known in nature is the noonday sun; whereas an overcast sky is the softest source known.


:bulletpink: soft light:

Portfolio by ~aufzehengehen The paper heart of children birds. by *LVSkoglund
Sacrum Profanum. by ~by-vertebrae Francesco II by ~uglybug 

:bulletpink: hard light:

Fleur by ~BohemianButterflies Cage by ~noellosvald
Sziszis hat by ~attilaalexovics 1500 by *BenoitPaille 


Color


Light has color. We all can differentiate the different color temperature the light has when you are walking in that beautiful light just before the sunset or normal day light, or flash. 

to all the ships at sea by ~sarahannloreth Untitled by *aleksandra88
2012-31 by ~SmallFly madeleine with strange suitcase by *SlevinAaron


Intensity


The amount of daylight changes with the hour, weather, season and latitude.



:lightbulb: A fun exercise :lightbulb:
  • Staying as close to home as possible,find a location that lets you face east and head there in time for the sunrise. Compose your shot with a focal length between 35-50mm and shoot into the sunrise. Shoot the same composition one or two hours later, then at noon, then two hours before sunset, then one hour before sunset, and then at sunset.
  • Repeat this exercise during these same intervals with another composition but as you face to the south.
  • Finally, download the images into your computer and look at them in a slideshow. That way you will really see and feel the difference of the light and the difference that the right time of the day can make.



:heart: Feel free to share your results of the exercise in the comments below! :heart:

What kind of lighting do you tend to use in your photography? Are you a hard light lover or a soft light lover? And why?





BEHIND THE CURTAIN

Journal Entry: Thu May 16, 2013, 3:24 PM
--- dear friends and visitors,
unfortunately I'm not longer able to make my large news in deviant art... the stashwriter only shows the numbers of the thumbs but not the pics...
so I'm just going on here with my little journals here... hope you enjoy it ...




:iconjenniferhansen::iconcaptain-blackheart::iconjonniedee::iconerene:
:iconkizukitamura::icontholang::icongunbowolf:



:bulletred:



:iconmissgribouille::iconissahgaga::iconastridle:
:icondyloulee::icondpressedsoul::iconparalleldeviant:



:bulletred:



:iconsantosam81::icontofstofs::iconfeigenfrucht:
:iconchristinekalliri::icondrewschermick::iconschwarzrausch:




Please enjoy the incredible artwork of these deviants and give a little friendship:
Visit their galleries, give some favs
and if you like this news, give a comment, please, for more attention!

This Journal Skin was designed by ~Night-Beast

What is dithering?


Dithering is a pixel art process used to blend blocks of colour together or help apply a texture to a pixelled surface. Within emoticons it is most commonly used when making pixelled backgrounds, however it can be used in a number of other areas, e.g. massive emote bases, pixel objects etc. In this tutorial, we will focus on how 2 colours can be blended with dithering.

To break dithering down into simple terms, it is achieved by simply taking the colours from the two blocks of colour and placing individual pixels of each on the opposite side. This creates a region where the two colours merge together to create a more blended colour transition instead of a clear line between the two.

Dithering can seem like a complex process, but it's really not. Once you get the basic idea and technique, it's just all about practice and over time you'll learn how to apply it to a number of different situations. There are many dithering styles which can be used to give a different end result. In this tutorial, I will walk you through a basic dithering method designed for dithering larger surfaces, such as background or huge emote bases. Whilst this method has several set steps, this is not the only way to dither and I do encourage you to experiment and find a style you feel comfortable with.

Dithering straight lines


For this style of dithering, the process can be broken down into 4 main steps. Each phase adds more detail to the dithering to give a more even and smooth blend to the colour transition.

Initial shading




Step 1 - Inner layers



Having created your two patches of colour, the first step is to put down a 'inner layer' of dithering. This is a dotted line of pixels right at the dividing line of colour. The pixels should be quite regular as this is the point where the colours should most blend. To get a good coverage it can be useful to place the pixels in a set pattern (e.g. every other pixel).

As you go further and further away from the colour split, the amount of pixels you use should decrease to help give a nice blend in and out of the dithered region. This can be achieved by changing your pattern. e.g Place a pixel of colour every other pixel on the first row, every 4 pixels on the second row, every 8 pixels on the third row etc.

Another good idea is to make sure that you don't clump pixels together. To give a nice even spread it works best to place a pixel in a position diagonal to the last, rather than directly up, down, left or right. This helps to mix the two colours together and no create spots of colour that stand out too much.

The size of the inner layer you use should depend on the size of the colour blocks you are blending. With a small gap, fewer layers should be used. If the distance is larger, you can increase the amount. A lot of this comes down to practice, experimenting and your personal preference.

Step 2 - Outer layers



Once you have used as many inner dithering layers as you feel is appropriate, it is best to add another layer of dithering that is far more spaced out to help make a smother and more gradual blend. To achieve this, it is best for the pixels not to touch any others in the area to prevent them becoming an extension of the inner layers.

Step 3 - Random noise



After completing the stages above, the end result will look quite rigid and structured. Whilst this style of dithering is useful in some pieces of art, the 'real world' isn't usually perfect and adding in a few random pixels can help make the dithering look more natural.

Step 4 - Mirror



Dithering should be applied on both sides as only pixelling in one direction will still leave an obvious dividing line. Once you have finished steps 1-4 on one side of the line, simply repeat on the other to complete the blending of colours.

End shading




   


Hints and Tips


:bulletblue: It can be quite boring and tiresome to dither a large region all by hand. You can therefore take some slight shortcuts with straight line dithering and reuse sections. Having dither a length, simply copy and paste it to repeat it on the same line, on the mirror of the side, or on a different patch of blended colour.

:bulletgreen: If you opt to reuse patches of dithering, try and make sure that you don't lose and randomisation you have included. If you only dither a 10 pixel region and repeat it, it will again look quite structured. It is far better to repeat regions of 40+ pixels so it is less obvious.

Dithering curves


Dithering around circles and curves can be a little harder to get the hang of. Whilst the principle is the same as straight line dithering, the method changes slightly and relies a lot more on 'going with the flow' and working with each individual case, rather than using a set pattern.
 

Initial shading




Step 1 - Inner layers



Once again we start by adding in a layer of pixels directly on the colour change line which are linked together on the diagonals. It is never easy to work to a set pattern, so it is best to judge each part of the curve separately. The pixels should be added in a diagonal position to any existing ones to help create a nice blend of the two colours, rather than solid blocks with a wavy edge. It is also a good idea not to add a pixel on every diagonal position, or you can demolish and rounded edges by squaring them off with dithering.

Step 2 - Outer layers




Having added the inner layers, you should again add some outer layer pixels, which aren't directly connected to any of the pixels already in place. these can also be useful to help round off the shape and back a circle appearance that the inner layers may have hidden.

As the placement of pixels on a rounded circle ends up being more random due to the lack of pattern, additional 'random noise' isn't really needed as the outer layers offer this.

Step 3 - Mirror





It is especially important to remember to dither on both sides of the diving line when shading a rounded edge. When working on the inside curve, it is important that you don't bunch up the pixels too much as it will affect how well the colours blend.

End shading




   


Different dithering styles


The examples above give details on one method of dithering. However, there are many different styles used by the community, and there is nothing wrong with modifying or ignoring some of the stages to create your own style. To help show off some of the other styles in the community, I kindly asked a number of emoticonists to dither a sample of their own dithering to give some example of other end results.

                 
Hover for artist's names


General hints and tips


:bulletblue: Colour choice is very important when you work with dithering. The colours you use should contrast enough so that the dithering is noticeable when you zoom out. However, be careful not too go too far the other way and make the contrast too large that the colours wont easily blend. A lot of it is simply down to practice and experimenting.


Too little   |   About right   |   Too much


:bulletgreen: Don't forget to apply dithering at the top and bottom of the canvas. Sometimes the boundary of a colour block can lie on the border or just outside the edge of the canvas. It is important to dither these areas as if the canvas is never ending, or the top and bottom sections will look out of proportion to those with dithering on both sides. Alternatively offset the colours so no colour dividing lines are near the edge.


Without | With


:bulletpurple: To help make the patterns more obvious when dithering, try using random bright contrasting colours during the dithering process and re-colouring them once you are happy with the dithered pattern.



In a world where many products are easily accessible on the internet - yes, even those - we've nearly fallen victim to the images that are slightly better than the rest, that entice us in, that persuade us to buy, bid, eat, cook and whatever else. (You've seen my Nom Nom articles right?) So it's not unusual that an eye-catching image can make all the difference when it comes to selling your products, or your photography - or both.

Stand out


Strong, Clear photographs will not only help you stand out on a web-page, but also will help you get your blog out there, or get your deviantART profile a bit more notice. Having a good working environment is often better than having that top notch expensive camera. So don't worry too much about your equipment. Get to know your angles, backdrops, props and lighting and the rest should hopefully fall into place.


Edit


Editing is really easy and good editing programs are accessible by almost everybody now. You don't need photoshop to make your images look amazing, but it helps. However simple cropping, lighting adjustments, tones, and minor blemish removal can really help and it's worth spending a bit of time looking at what you can do to a photo to make it better before you release it to the world to critique, ignore, or fall in love with. Don't be afraid to cut bits off when cropping, it can look quite arty!

Get the Perspective



Putting clothes, accessories and shoes e.t.c on a model will help give them a better sense of size hang and general feel. Placing ornaments, trinkets or jewellery on carefully constructed backdrops and set ups will give them a sense of space and size too - but be sure not to be misleading especially if you're photographing to sell a product. You want to be as honest as possible, which is why you also need to be careful when editing - to ensure you're not altering something that was never there. Allowing a customer to imagine a product in their home, their wardrobe, their dressing table or their kitchen will make it a lot easier to entice them to buy!



Details


Often a photograph can show an amazing product with lots of potential, but doesn't give much information about the materials used or the textures. Is it cotton, wool, handmade or not? If you aren't going to be able to show detail in a photo, be sure to include it in the artists comments - particularly here on deviantART - we love to find out more about what's in a shot!





This is my first time using Sta.sh, so let's see what it's all about :giggle:

Well, today has been super fun so far; I've had a great time introducing everyone to Frankie! But as I was looking through her photographs in the lightbox, I suddenly thought to myself "Why have I photographed something that's supposed to be all about imagination and bringing things to life in such a static environment?"

So I grabbed Frankie, my camera and my son and we had a jolly good fun time photographing under a beautiful weeping willow tree in our garden :)

Jack (my son) is 3 in October, but his imagination is already incredible. He has an entire army of Bobinies, which always have to be wrapped up in a blankie with him for bed, and he plays with them for hours. So our photoshoot today was very natural to say the least! I've only really editted one of the photos, but there are so many more that are just so much fun! I want to share them all with you, so I thought I'd create this little article, "Behind the Scenes at Biniwood".

IMG 6789 copy copy by *Biniwood

"Hmm, what shall we do today?"

Of course, Jack has already road tested all of my sewing, perhaps more so than any CE Marking regulator ever could! His very own Bobini, Tricky, has undergone chewing, being fed baby food, being carried around by the dog, squashed by my 11 month old daughter, dragged around by her tail and had tug-of-war played between her and the car door. I think her tail even spent a 20 mile journey poking out one corner.

And she is still all in one piece :heart: 

IMG 6792 copy by *Biniwood

"I need a drink, stat!" ~ Nellie made a wonderful assistant for his majesty's photoshoot XD

The Design of the Bobinies


Here's little bit more about the Bobinies design though ~ They intentionally look up at you. They are intended for children to play with them, but as a child you spend your time looking up at everyone else. It makes you feel very small sometimes. But for an adult to see that child looking up at you - it's super cute and it makes you feel all warm and fuzzy inside. So these Bobinies are designed to look up to the children, to be brought to life by them and played with.

These aren't plushies for a dusty bookshelf. They're plushies that are meant to sit next to you while you watch a film, listen to your heartaches and gripes of the day.

IMG 6796 copy by *Biniwood

They are there to kiss better those little scraped knees that are reminders of adventures passed, but adventures shared.

IMG 6804 copy by *Biniwood


Bring us to life


These creatures are a lifetime in the making. They are everything to me, and this adventure we're just starting on wouldn't be complete without everyone's support. If you are kind enough to add this article to your faves, you are coming on this adventure with us, and your support means everything :heart:



Being Funny with HaveTales-WillTell

Wed May 15, 2013, 12:04 AM
I'm constantly sad about not finding sufficient amounts of humorous works here. It occurred to me that, you know, maybe I should spread the word on how to be funny!

Since I've got nothing, I turned to someone who is pretty amusing around these parts. The thumbnails featured throughout this article were provided by `HaveTales-WillTell (or are from his gallery), so you don't have to take my word for it. :P

What do you find funny?

Above all else, I delight in cleverness. When reading, that often means puns and other forms of wordplay; with visual media, there can be the additional dimension of a character's actions mirroring or contrasting with their mannerisms, dialogue or accent.

These days, puns are underappreciated, relegated to opening-monologue punchlines and thrown-together internet memes. (Walken on Sunshine, anyone? :roll:) Back in the day, it was different: Shakespeare, for example, included them in some form in every single one of his plays. One memorable example is Mercutio's dying comment in Romeo and Juliet: "Ask for me tomorrow, and you shall find me a grave man."

Similarly, my favorite comedy is the 1992 flick Noises Off!, a comedy of errors about a theater troupe rehearsing a comedy-of-errors. It helps that every one of the film's ensemble cast either already was, or went on to become, a name actor.

Have you seen Airplane!?

A number of times; I quote it a lot, too. (FYI: Julie Hagerty, who plays Elaine, is one of the aforementioned "name actors" in Noises Off!)

What makes it work so well is that it's a send-up of not just its source material (the 50s movie Zero Hour!) but of the entire disaster film genre. It comes back to what I said before: pick your trope, veer off, and see whether you can land it safely. And maybe even solve that drinking problem.

Dinosaur FactoriesThere used to be smelly old dinosaur factories,
Offensive to all of our senses olfactory;
The public complained they were dissatisfactory
In the rate of production of things pteridactory.
Those factories were, as I've heard, quite eyesores,
And each day they sent out big earsplitting roars—
The government issued a ban, furthermore,
And that was the end of the great Dinosaur.
RomeoThe name's Romeo.  Yeah, alright.  Don't bother.  Whatever you were about to say, I've already heard it: considering the fact that probably everyone in the world is force-fed Shakespeare at some point or other, it's not surprising that all the stupid puns that come my way aren't exactly original.  I've had English teachers yell lines at me, thinking that, for some dumb reason, I've got the whole play memorised.  Not likely.  My parents didn't call me Romeo because they're Die Hard Bard fans.  Dad lost a bet to a mate.  Not exactly enchanting.

I was watching TV in
Why I Don't Write HaikuThe thing with haiku -
you start with this deep message
and then run out of

What kind of humor would you say you write?

You mean, besides cheesy puns? ;p

We're all shaped by our experiences. Mine includes learning the hard way that just like rock beats scissors, fists beat snark. Often to a pulp. So disparaging comments evolved into self-deprecating jokes, and from there into light satire.

Humor is the ability to surprise and delight; so when I run with an idea, it's often at a 90-degree angle from what you might expect. There's an element of whimsy in much of my light verse, and a kind of absurdist reality with my humorous prose. It's a classic writer's trick: pick a trope, subvert it, and see what follows.

And wordplay, of course, plays a big part as well. It's more than just puns: you have homonyms and contronyms, clever acronyms and made-up words, lighthearted rhythm and rhyme, unexpected turns and twist endings.


Where can we look to find the 'surprise and delight' of good humor?

I'd say to start by paying attention to what catches your eye; if it stands out, there's a good chance there's a reason. Listen for syllabobbling and Freudian slips: they might spark ideas for wordplay.

Read jokes. Listen to jokes. Tell jokes. Get a feel for timing: are you trying to cram together too much too fast, or taking so long your audience loses interest? Experiment and discover which kind of humor best fits your persona: silly (Dave Barry), sneaky (Ellen DeGeneres), snarky (Dennis Leary), surprising (George Takei), surreal (Tim Minchin) or somatic (Rowan Atkinson).

In general, if it surprises and delights you, find a way to share that with others. According to the ads for every online dating site, they'll love you for it. :heart:

One thing I note in common with these guys is they're all performers. Does that change the takeaway for writers?

Performers? That's your takeaway? No love for the alliteration? Aw, man... :facepalm:

All kidding aside for the moment, the issue with writers is that their narrative voice can be at odds with the reader's impressions, often deliberately. (Witness how many romance writers are actually male, for instance.) Onscreen, for the most part you can't hide what you look like; and rightly or wrongly, that will color your audience's perceptions and expectations.

That's why actors like Leslie Nielsen have struggled with typecasting, while authors such as Bill Bryson and David Sedaris haven't. When either one releases a humorous memoir, it's warmly received; and when they decide to switch things up, their latest offering is judged on its own merits.

I hate alliteration.

:confused: Previously, I'd perceived your particular pique apropos playful puns. Plus putrid poetry. Plainly, I'm perplexed.

TapewormNobody ever mentions tapeworms when they think of creation.  Somehow, we didn't make it into Genesis.  I guess parasites didn't sound that epic to the ancient Jews.

We were there, though.  Well, one of us was.  Most everybody came in pairs back then, but being asexual beings, nobody really enforced the quota with us.  Its name was Bob, pioneer of our kind.  Like I said, not epic-sounding.

The anonymity doesn't even really bother me that much.  I mean, nobody ever makes an effort to harm tapeworms until they find out we exist.  It was the same back then; Adam hadn't the foggiest idea that Bob was sharing in on his meals, but hey--food was fr
Trouser, SnakeA natty pair of trousers came upon
A gracile set of stockings, quite by chance.
"Milady, say the word and I'll begone,
But firstly I must ask if thou wouldst dance."

"Of course, milord; but only if romance
And not a one-time fling dost thou propose."
"Thou hast my promise," acquiesced the pants,
Even as he sidled toward the hose.

In a manner unbefitting gallant clothes
He sought to lay himself upon her silk;
"Stop, cad!" she cried, "So thou'rt one of those!
My mother said to watch out for thy ilk."

Much wiser heads have voiced it best and first:
Those Worsted wools have always been the worst.
Sestina: Dick and WangRichard, whose nickname is Dick,
set out to make wieners.
He approached the cock
and grabbed the metal rod
to kill it when--Ding-dong!
the doorbell rang. It was Wang.

Wang Long, who insisted on Wang,
called out: "You there, Dick?"
He didn't reply. The rooster clucked. Ding-dong!
the doorbell sang. Dick needed to make wieners.
He hefted the rod
and swung at the cock

but missed and hit the table. Bam! The cock
squawked and ran. "What was that?" said Wang.
Dick replied, "Nothing!" and raised his rod
to swing again. Bam! Another miss. Bam! Dick
really needed to make wieners.
Wang hit the button: Ding-dong!

it rang again. Ding-do

I never would've imagined online dating could be so useful.

Well, I used to belong to a group which could only keep in touch via phone calls and actual written letters; and now... I'm dating myself. :p

That's beautiful.

It's an example of a paraprosdokian, or garden path sentence: it's been set up in such a way that you're led to expect one meaning, and have to 'back up' to a different one. It's also a double entendre, in that the original interpretation also works, in a wink-wink sort of way.

:nerd: So now tell me: did the explanation ruin the joke?

The Asparagus Evening
Asparagus ofinicalis.

A vegetable that was once savoured
by the ancient Greeks and Romans.
      Good for them.

It's my first time; and I'm apprehensive.

Four small trees sit on my plate.
They're awaiting their crown
of ghee and mashed egg.

They sit there; menacing.
Taunting me, waiting for my reaction.

The condiments are passed around.
It's my turn next.

Mission: Garnish said vegetable.
Ghee; drizzled. Egg; smothered.
Task executed.

The drinks have been toasted,
good health was wished for all.

Cutlery is gently knocked
against our plates as
we prepare for the meal.

Dinner has begun.
I'll start with them and
get it ov
Massacre of the InnocenceGeorgie Porgie threw an orgy
     just outside L.A.,
where Jack Be Nimble grabbed his thimble,
     outing him as gay...

Little Jack Horner bought Time Warner
     before the bubble burst,
though Jumping Jack Flash saw the crash
     and liquidated first...

Jack said Jill was taking the Pill
     to ward off impregnation;
the Three Blind Mice have lobbied twice
     for victim's compensation...

Little Miss Muffet had her tuffet
     liposuctioned out,
and L

Do you find your own work funny?

I do; I'm the wittiest person I know. Except for everyone I know who happens to be wittier. :dummy:

Would you consider absurd humor the written equivalent of visually incongruous stuff?

Absolutely! Let's take Douglas Adams, for example: the Hitchhiker's series started out as a stream-of-'what the hey?' radio program: perfect for transcribing to the written word, though not so much for the TV show that attempted to follow it.

:reading: But for my money, his best series features Dirk Gently, a down-on-his-luck detective who actively relies on coincidence and fate to solve his unusual cases. The ongoing crazy juxtaposition between the supernatural and the mundane, as well as the books' bizarre but internally-consistent leaps of logic, is a large part of its appeal; even after you found out whodunit, you're willing to reread it just to watch 'em done it again.

What makes Dirk Gently better for you? Is part of the appeal the genre, or something more?

For me, the Dirk Gently books work better because there's a smoother narrative flow. H2G2 started out as a series of vignettes, which Adams was sometimes still finishing up even while the tapes were already rolling. This catch-as-catch-can mindset is reflected in the books (and again in the movie) where the radio serials were rewritten and rearranged to make somewhat better sense.

Whereas the humorous asides (that turn out to be clever foreshadowing) scattered throughout Dirk Gently are evidence of a more coherent master plan — almost holistic, if you'll forgive the minor pun. Adams's reorganization of the Hitchhikers books brings them close to that ideal; but I think if anyone tried to bring them any closer (Eoin Colfer, I'm looking at you :evileye:) some of their magic would wind up being lost.

Almost holistic? Everything is fundamentally connected.

Which is as good a reason as any to stop and enjoy a spot of tea. A long, dark spot of tea. :tea:

Didn't read it, but I hear Colfer tried too hard to follow Adams' humor. ('Iron Man 3,' which I did see, had too many pseudo-Whedonisms.)

The book wasn't terrible; it was just a little too planned-out, a little too enamored of its source material. Colfer might've been trying a little too hard; kind of like those Whedon wannabes. Which is understandable: there's a lot of pressure in trying to live up to expectations based on someone else's success.

Day 191Every morning I stand, shivering a little, measuring up my body.
Is my bum a little bigger? Are my breasts a little smaller?
Is it my imagination or is the skin on my thighs a little rougher?
It's a good thing there's no way for me to examine my insides-
or I might be there all day, checking out my heart, my kidneys,
my digestive tract. Is it my imagination or is my liver a little bigger?
Much Ado About Sound and Fury"His majesty seemed in a better mood this eve. One might almost say he was amused."

"King Claudius, amused? I was standing beside you, my friend; but I noticed no such thing."
"Did you not hear him chuckling as we took our leave?"

"That was a chuckle? To me it sounded more of a chortle."
"A chortle? Don't be ridiculous. It was quick and free, with a bit of a lilt at the end. Such clearly denotes a chuckle."

"A lilt it may have had, I'll grant; but 'twas also deep and throaty. Almost sinister. If anything bespeaks of chortling, 'tis that."
"Sinister? My dear friend, I love you like a brother: but such utter foolishness has never before f
ConfessionI told my little brother
That Santa Claus hates him
And the elves all sit around
Throwing darts at his picture;

I told him that the Tooth Fairy
Zapped the Easter Bunny
With her Fluoride Ray of Death
And then got hit by a truck;

I told him that alligators live in sewers
And boa constrictors in toilets
And spiders and scorpions
In little boys' beds;

I told him Jurassic Park was real
And it happened in Ohio
And when it failed they'd started planning
To buy our city park;

Yesterday I told him the Boogeyman
Was coming after him tonight
And he'd better find a place to hide―
And that's when he started to laugh.

So I asked h

Do you think it's necessary to know the trope you decide to riff on? If so, then how well?

It's a tricky balance. The more familiar you are with a genre, the less likely you are to make rookie mistakes ("I know; I'll do a comedy involving time travel! Bet no one's ever thought of that one before!") but also the less likely you are to think outside the box. ("Time travel comedies? Meh; they've been done to death.")

At a minimum, you should probably make yourself aware of the trope, and any notable examples of skewering it. For this, TVTropes is your friend...if by 'friend' you mean someone you invite over to hang out with you all day, causing you to get nothing productive done. And then you decide to invite them back tomorrow. :la:

Any tips on inviting TVTropes over for a cold one?

Finger foods. You're not gonna want to tear yourself away long enough to stop and cook.

A Middle-aged Mother's Rant-- By M. Alice Chown

Go home!
Yes, you.  
You, who exist in that nebulous stage between teenhood and adulthood.  You, who live a carefree life under your parents' roofs, even though you're old enough to buy alcohol, rent a car or an x-rated movie and book a room in a hotel.  

This isn't a hotel.

If it were, you'd be paying for your stay and there'd be a mint on your pillow and a paper sash around the toilet seat.  This isn't a youth hostel, a bed and breakfast or a motel either, although sometimes it looks like flophouse.  This morning, for instance, every couch, chair, bed, every throw c
arborescent angstthe grass is depressed
and scarred from
cutting

even the flowers are blue
hiding a deep dark
stigma

while the cool kids ignore
fat slow unwanted
raindrops

and avoid the compost heap
since learning it's full
of crap

these are my roots
i wish i could
leave
We're All Mad Here     I stand on a balcony overlooking a hedge maze. Not your wimpy, little kid hedge maze, I'm talking seven-feet-tall, two-feet-thick, don't-you-think-about-jumping-over-me bush. There are stairs to either side of me leading to a fountain with some faux-Roman statue of an anatomically unfortunate man and two entrances to the aforementioned labyrinth. The light is the distinct quality of rainy afternoons minus the precipitation, the weather cool and crisp. There is a periwinkle cat dozing on the balustrade to my right, tail curled around it with evidence of uniquely feline contentment.

    Well, this is picturesque, I think to myself, when

Do you think written humor has to include commentary to be effective? (Define commentary as you will.)

Does the humor have to have an agenda or an overall meaning? Not necessarily; you can be goofy for goofiness's sake. (Cf. Dave Barry, or Shel Silverstein's poetry.)

Does having a position or a theme in mind add to the punch of the piece? When done right, I'd say it can; but humorists have to be wary of troweling it on too thick. Audiences, including readerships, aren't stupid; they don't want to be preached at. (Satirists get a bit more of a free pass; absurdity is one of the hallmarks of the form.)

Classic humor with a message includes Robert Heinlein's Glory Road, Cervantes's Don Quixote, the bulk of Christopher Moore's novels, and just about any short story by James Thurber or Mark Twain.

The Angry Monkey and The PlumThere once was an angry monkey.

He was angry because someone had stolen his plum. 

It was the best plum he had ever tasted.

He tasted it and tasted it and tasted it until suddenly it wasn't there anymore.

Somebody must have stolen it!

The angry monkey wondered who it could have been.

Nobody else had been around him at the time; the thief must be invisible!

Or stealthy like a ninja.

Yes, that sounded right. It must have been a ninja.

The angry monkey vowed to find the ninja.

He looked everywhere for t
Religion Free DVD PlayerAs an avowed atheist, I've always despised overt religious subtext in my movies. So when I ran across a back-alley electronics shop offering "Religion Free DVD Players", I snatched one up faster than a Southern Baptist preacher could call out, "Hallelujah!"

Set-up was a breeze, thank Nobody. So the first movie I popped in was one of my favorites, The Wizard of Oz.

Well, by the time the angelic Glinda introduces herself to saintly little Dorothy in front of the Munchkin choir, I was already beginning to suspect that something might be off. And it only got worse, as her ragtag band of pilgrims undergoes their yellow-brick hajj to the Emerald
FailsafesThe New Rochette Nuclear Power Facility No. 2 control room had a lot of lights, all of them square and neatly arranged in various states of blinking and non-blinking.

New Rochette Nuclear Power Facility No. 2 Control Room Night Operator Barry Lewis would occasionally stare ahead at the rows of lights before him and imagine them to be the multi-colored panels of a disco floor. Upon this floor he would dance away the long, monotonous nights and let the syncopated music flowing through his head block out the low hums and drones of a myriad of parts—none of which he had ever bothered to become intimately acquainted with.

His job, as was st

Thanks for your time!

Thank you for providing me with the chance to riff on one of my favorite topics. And maybe even offer up a few chuckles along the way.


The best part of sitting down for this interview with `HaveTales-WillTell is that he changed his username, so the title of this series isn't alliterative and I didn't have to think of a better one. HA. I WIN.




Skin by =fantasy-alive

Project Educate: Photography Roundup

Sun May 19, 2013, 9:02 AM



Thank you for joining us on a week of General Photography Education! Below is a roundup of all the articles written across the past seven days - a great mix of bits and pieces so hopefully there's something for everybody.
Complications with CompositionI love seeing results on the camera screen, and through the lens. Often after I've taken a photo, I can't wait to get home and see it on the computer screen too. But my pet peeve is the maths and numbers behind getting it spot on. I can't deal with that, I loathe it, and actually it takes the fun out of Photography (for me anyway!) I know that some people love the technical details, I think that's why ~TouchedD and I work so well - he does the figuring out, I do the seeking for the shot - but if you're purely a creative type with no passion for delving into technicalities then hopefully this article will be able to help you.
You will find countless articles, tips, tutorials and theories on Composition. Many will throw advice and instruction at you before you can even press the shutter on your camera. In truth though, it can be much more basic than that. Before you take a photograph, think about why you're taking the shot. I know this doesn't work everytime, because often (like me)

Project Educate: 4 tips for great product photos!In a world where many products are easily accessible on the internet - yes, even those - we've nearly fallen victim to the images that are slightly better than the rest, that entice us in, that persuade us to buy, bid, eat, cook and whatever else. (You've seen my Nom Nom articles right?) So it's not unusual that an eye-catching image can make all the difference when it comes to selling your products, or your photography - or both.
Stand out
Strong, Clear photographs will not only help you stand out on a web-page, but also will help you get your blog out there, or get your deviantART profile a bit more notice. Having a good working environment is often better than having that top notch expensive camera. So don't worry too much about your equipment. Get to know your angles, backdrops, props and lighting and the rest should hopefully fall into place.

Edit
Editing is really easy and good

#7 | Weekly Photography Fun! + Points!As part of Photography Week at #projecteducate, we have an additional Photography Games Blog event for you on behalf of #CRPhotography, heart of the Photography Gallery! Please feel free to take part in the below, as well as our most recent Photography Games Blog event, #6.
We are aware how inconvenient our Photography Games Nights can be, so we are bringing the Photography Games Night to you in the form of a weekly blog involving some good ol' photography fun. Some of you may recognise our photography games and some may not, but we all hope you will enjoy what we have in store for you!
This week, we would like to ask you to take part in our games and guess what the photographs below are. Many of you may recognise this as our 'Obscure Photo Game' in our Photography Ga

Project Educate: See the light and remember it
See the light and remember it

Lighting in photography is a living, changing art. One of the most important abilities of a photographer is to see light and to remember it. Light is the most changing element in our daily life. We move among solid objects and among people who do not change drastically during a day or a week. But visually the appearance of our environment and of people around us may change from one hour to the next due to the time of day, the weather, or the particular source of light. Photographers are aware of these changes and store in their memory the impact different types of light have on our emotions and our subconscious. For a photographer, watching the light becomes second nature. 
Some of the photographer's palette of tools:
-The angle of light
-Quality (hard or soft)
-Color
-Intensity
Angle of light


:bulletpi

Fix that Miscat! ~Fashion Photography V.CommercialThere often seems to be some confusion over whether your Fashion Photography belongs in Photography -> People & Portraits -> Fashion Portraits or Photography -> Commercial Photography -> Fashion. Unlike other galleries that we are slowly defining and educating on through this series of articles, the difference between these two is quite clear cut and there are certain aspects of your Photography that will dictate where it should go. Have a read through the article and hopefully that will clear up some things if you were previously confused!
What are Fashion Portraits?
Photography -> People & Portraits -> Fashion Portraits

Fashion Photography is a genre of Photography that's dedicated to showcasing clothing and other items such as accessories i.e. shoes, scarves, hats, j

Ten Tips for Nature PhotographersThis article came about after a deviant specifically requested that we write ten clear, simple tips for Photographing Nature. Troubleshooting articles and information can be very useful, but sometimes breaking it down into manageable memorable chunks is so much easier. So without further ado please enjoy our Ten Tips for Nature Photographers!

1) Get into your environment


Yes, it's rhubarb. To be a true photographer, you must be at one with rhubarb.
When we talk about photographing Nature, we don't necessarily mean wide expansive rolling landscapes. Whilst they contain any number of elements that are nature focused and made up from natural resources - Nature Photography is about getting into your environment and getting up close and personal with these elements. So think of it like you are Photographing the components that make up that beautiful lan

All Snapped Up .10 ~ Bloddroppe~ An interview of a talented artist in our General Photography Community

Tell us a bit about yourself, *Bloddroppe! How did you get into photography and why?
I've been interested in art since young age. I used to draw a lot during high school, especially realistic portraits. But after a time I felt that I wanted to experiment with other medias. I photographed a lot of nature with a point and shoot camera at first but I felt that I would like to try working with models instead. So I asked my best friend to model for me in a great field of flowers. I think it was my first shoot with a model so it was very fun and since that shoot I've wanted to continue with photography.
Why are you on deviantART?
I think I discovered deviantART through the site Gaiaonline. I used to post my photography there and was recommended to look up the site. I immediately started to upload my work and recieved gr

Surviving Sports PhotographySports photography.
This category of photojournalism is one of the most sought after positions in professional photography.   VIP access to pro athletes, frontline seats, locker room interviews, and a paycheck to photograph the whole experience year after year?!!
...
.....
.........
 Sign me up!!
Well, that's how my story began anyway.  Years ago, I made the mistake of going to a pro hockey game and within three hours fell madly in love with the smell of ice and the sound of blades. I left the building thinking to myself (and telling anyone who would listen to the ravings of a madwoman): "There has to be some way I can be involved in this for the rest of my life."  What actually happened after that night is one of the wildest stories I've ever told and it's still a crazy ride. But getting on that ride and staying on is tricky.  
So here's what I've learned so far about actually surviving sports photography

Urban ExplorationUrban Exploration is the examination, and often documentation, of normally un-seen or off limits places. It's becoming an increasingly popular 'hobby' and for some, something much more serious. This week we're looking at a specific Photographer and his chosen subject - linked directly in with Urban Exploration.
Wayne Levin's work recently caught my eye at a Photography Exhibition - you may already have read about it if you caught the latest edition of Photography Fortnightly. As well as being an awesome and very unique idea, constructed creatively and tastefully - it reminded me of Urban Exploration. Levin explores beneath the sea, another place that many of us don't get to see unless we venture there with specific equipment - and often training. Exploring reefs, water life and shipwrecks, Levin's work truly is an act of Urban Exploration. It just shows us that there are no limits to being an Urban Explorer and there are many un-chartered 'waters' that need to be documented and shown,

People + Portraits Exposed 24# Emotive...

By *pure-insomnia
Self Portraits...

By ~mialepson
Classic...

By ~PorcelainCora
Expressive...

By *JaimeIbarra
Infants & Children...

By ~Daizy-M
Weddings...

By *mitazu08
Spontaneous...

By ~vampire-zombie



Thanks to this weeks contributors ^3wyl ^1pen and =dienutza
:heart:



StoryBoard V1

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